понедельник, 28 февраля 2011 г.

Independent Spirit Awards 2011:'Black Swan'wins Natalie Portman best actress, best picture

"Black Swan,"a ballet melodrama that struggled to get made despite an A-list cast and director, swept the independent film world's version ofthe Oscarson Saturday, a day before it competes for five prizes at the Academy Awards.

The film picked up four Spirit statuettes, including best feature and best female lead forNatalie Portman, who starred as a childlike ballerina consumed by fear and paranoia.

Darren Aronofskywas named best director for his work on the movie, two years after he was honored for"TheWrestler."It also took the cinematography prize forMatthew Libatique.

All three will compete for Oscars on Sunday, with Portman the favorite to win her race. The film will also vie for best picture and editing.

"Winter's Bone,"which led the Spirits field with seven nominations, ended up with two prizes.John HawkesandDale Dickeywon for their supporting roles as threatening characters in a rural American community ravaged by methamphetamines.

The male lead prize went to Oscars co-hostJames Francofor his role as a hiker forced to amputate his own arm in the true-life tale"127 Hours."

"The Kids Are All Right,"with five nominations, received a solitary win in the screenplay category, for directorLisa Cholodenkoand co-writerStuart Blumberg.

The victory for"Black Swan"is a testament to the risks and rewards of independent filmmaking. Aronofsky and Portman first discussed making"Black Swan"about a decade ago, and when they finally started shooting, the film was on shaky financial ground.

The script also went through dozens of revisions, a financier pulled out, and several Hollywood studios rejected it, including its eventual distributor,Fox Searchlight.

"Any time you try to do something that's not in a box it's a challenge,"Aronofsky said of the constant challenge of raising film financing despite his success with such films as"The Wrestler"and"Requiem for a Dream."

Nascent private equity fundCross Creek Partnerscame to its rescue, offering to split the $15 million budget in a worldwide deal withNews Corp's Fox Searchlight. It turned out to be a lucrative investment. The film has grossed more than $200 million at the worldwide box office to date.

Cross Creek principalBrian Olivertold Reuters he was drawn to Aronofsky's involvement."I really liked the script and I saw the thriller part of it and I thought it could be one of those movies that could really break out,"he said.

The film was also a challenge for Portman and co-starMila Kunis, who plays her rival in aNew Yorkproduction of"Swan Lake"and a Sapphic fantasy interest. Neither actress is a ballerina, and they trained for months and dieted religiously to get in shape.

TheSpirit Awardshonor low-budget American films based on such criteria as original, provocative subject matter and the degree of independent financing.

"The King's Speech,"which leads the Oscars field with 12 nominations, was named best foreign film at the Spirits. As a British movie, it was not eligible for consideration in the major categories.

Each year, a handful of Spirit winners usually goes on to earn Oscars thanks in part to the success of low-budget films in the mainstream arena. But the awards ceremonies otherwise could not be more different.

The Oscars take place at a theater in a Hollywood shopping mall. Black tie is obligatory, and everyone is on their best behavior at an event oozing with seriousness.

The Spirits, famed for their relaxed and boozy atmosphere, returned to their traditional locale on Santa Monica Beach after an ill-fated switch to a downtownLos Angelesparking building last year. The sun usually smiles on the event, but this year's show was an uncomfortably frigid affair for the stars and guests gathered in a large marquee.

(Reporting byDean Goodman; Editing byPaul Simao)


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воскресенье, 27 февраля 2011 г.

Ricky Gervais writes Oscar script for Anne Hathaway, James Franco, poking fun at himself, celebs

Ricky Gervaiswon't be hosting Sunday'sOscars, but that didn't stop the comedian from writing his own script for the night.

Gervais, who was widely panned for his insult-heavy comedy routine at last month'sGolden Globes,posted a tongue-in-cheekdraft comedy routine on his blog for Oscar hostsJames FrancoandAnne Hathaway.

"Good luck,"the funnyman wrote to the two stars."They will do an absolutely fantastic job and don't need my help, but I've written a little opening in case they have a few minutes to fill."

The ensuing dialogue pokes fun at both the Hollywood celebrities, who took offense at his Globes act and at Gervais himself.

"You probably know me from127 Hourswhere I play a man trapped in an enclosed space who decides he would rather cut his own arm off than stay where he was,"Gervais writes in a piece of dialogue meant for Franco."Now that sounds 'way out' but wait till half way through this f---ing ceremony and you'll start to identify with him."

"No comedians tonight,"Hathaway would say, according to the script."And do you know why? Because comics are ugly."

"Especially that rude obnoxious one who played theSteve Carellpart in the English remake of TheOffice,"Franco would reply.

"Ricky Gervais is now worth $80 million,"Franco is supposed to continue."The obnoxiousBritconfirmed the figure, adding,'Yes and my dentist hasn't seen a penny.'"

"Yeah, why doesn't he get his teeth straightened and bleached like everyone else in Hollywood?"Hathaway responds in the script.

Gervais, who fought off rumors he is"banned"from hosting next year's Golden Globes, has consistently defended his performance at the Globes and promised to deliver more of the same if hired again.

"If they do invite me back and I accept, I'm going to pull exactly the same s--- again or even worse,"he said in a statementearlier this month."Everyone has been warned."


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суббота, 26 февраля 2011 г.

Kim Kardashian in talks to play John Gotti's daughter-in-law in biopic: report

Kim Kardashianis reportedly in talks to take on the role of another famous Kim.

The 30-year-old reality star is hoping to follow up her newfound singing career with a role in the upcomingJohn Gottibiopic,usmagazine.comhas reported.

Kardashian is in the running to playKim Gotti, the daughter-in-law of the lateNew Yorkmob boss, who will be played byJohn Travolta.

The socialite's reps could not be reached for comment.

This would not be Kardashian's first foray in to the acting world. Besides her various"reality show"stints, she has guest starred on"CSI: NY"and had her big screen debut in"Disaster Movie"in 2008.


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пятница, 25 февраля 2011 г.

Charlie Sheen:'Major League'4 should include Corbin Bernsen, but'I'm just a hired gun'

Despite his various scandals,Charlie Sheenis still part of Hollywood's major leagues and he thinksCorbin Bernsenshould be to.

The"Two and a Half Men"star has put aside his own personal problems to speak out in support of one of the stars of"Major League"after reports surfaced that producers have been working on a follow-up to the 1989 film minus Bernsen.

An outline for the fourth installment in the franchise was completed last year and that much of the cast -- which includesTom Berenger,Wesley SnipesandRenee Russo-- have been contacted about roles, but not Bernsen, according totmz.com.

AsRoger Dorn, Bernsen played theCleveland Indiansbaseball player whose wife slept with Sheen's character, Ricky"Wild Thing"Vaughn.

Bernsen reportedly contactedMorgan Creek, the film's production company, about his role but was told there were no plans to include him.

"Corbin would LOVE to do another 'Major League' but it doesn't look like he's been written into the movie at this point,"his rep told tmz.com."We're hopeful he gets written in by the time it's finalized though."

Sheen told the gossip website that he was a"hired gun,"but that he'd"do my best"to get Bernsen in the film.

"I would love it for him to be in,"Sheen told tmz.com,"but I ain't the writer or director."

While the second film in the franchise,"Major League 2"reunited the cast in 1994, 1998's "Major League 3: Back to the Minors,"only brought back Bernsen andDennis Haysbert.


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четверг, 24 февраля 2011 г.

Berlin film festival 2011:'Nader and Simin: A Separation'from Iran wins best picture

Iranian drama"Nader and Simin: A Separation"won the Golden Bear for best picture at theBerlinfilm festival on Saturday, while its ensemble cast also picked up the best actor and actress prizes on a triumphant night.

Director Asghar Farhadi's portrayal of a marriage in crisis was firm favorite for the coveted award, and its victory was the first for an Iranian picture, Berlin organizers said.

In the movie, one family is pitted against another in a gripping legal tussle which highlights the gap between middle class"intellectuals"and poorer, traditional Iranians for whom religious beliefs and honor tend to be more important.

It was praised for its subtle exploration ofIran's class divisions and religious conservatism, which it managed to combine with the tension of a crime thriller. The acting awards were a bonus for Farhadi, whose daughter Sarina starred.

Farhadi paid tribute to fellow Iranian film makerJafar Panahi, who was unable to accept Berlin's invitation to sit on the main jury after being sentenced to six years in jail and banned from making movies or traveling abroad for 20 years.

He stands accused of inciting opposition protests in 2009 and making a film without permission, and his sentence has caused an outcry in the movie making world.

"I want to remind you of Jafar Panahi,"Farhadi told the glitzy awards ceremony."I really think his problem will be solved, and I hope he will be the one standing here next year."

When asked to speak about the situation in Iran, he replied:"I can either say what you want me to say and the result would be that I get into trouble and couldn't make films anymore.

"Or I can say as much as I'm allowed to and continue making films. I prefer making my films. I'm not a hero, I'm a film maker,"he told reporters, adding that he spoke to Panahi after receiving the Golden Bear.

Panahi's absence was marked with an empty chair alongside jury headIsabella Rosselliniat the opening press conference, and some German media have dubbed this year's cinema showcase the"IranianBerlinale."

The runner-up film prize went to Hungarian directorBela Tarr's black-and-white"TheTurinHorse,"a slow-moving, bleak feature about a farmer and his daughter's forsaken lives in a windswept, isolated house.

The love-it-or-loathe-it picture, which Tarr has said would be his last, sharply divided critics, but its stark images, sparse dialogue and relentlessly droning score were considered among the most memorable at this year's festival.

"That is true it is my last film. The last so-called Tarr film,"he told reporters after receiving his award.

"I believe that in this film everything comes together. Everything is contained in this film -- everything that I believe needs to be shown in film, i.e. everything that uses the language of film."

One of the few surprises at the awards, which wound up the 10-day event where hundreds of new films are shown to the press and potential buyers, was the best director prize toGermany'sUlrich Koehlerfor the generally unfancied"Sleeping Sickness."

Best script went toJoshua Marstonand Andamion Murataj for"The Forgiveness of Blood,"which looks at the sometimes tragic consequences of ancient codes governing blood feuds which are still enforced in some parts of ruralAlbaniatoday.

"The Prize,"a story set inArgentina, picked up two technical awards, and the Alfred Bauer Prize for innovation went to German entry"If Not Us, Who."


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среда, 23 февраля 2011 г.

Oscars 2011:'Black Swan'cinematographer Matthew Libatique gave Natalie Portman film feminine feel

Director of photographyMatthew LibatiqueOscar-nominatedthis year for Best Cinematography for"Black Swan"— says he prefers photographing urban settings over anything else.

"It's what you attach to your own humanity, and what I am is an urban person,"says Libatique, who was born inElmhurst, Queens, before his family moved toHell's Kitchenin the late 1970s."The humanity I'm after happens when people exist together in the ebb and flow of a city, where some people are going somewhere and others are coming back from someplace, all at the same time."

Libatique's visuals have given varied identities to all areas ofNew York. In"Requiem for a Dream,"also directed by"Black Swan's"Darren Aronofsky, the gritty lives of drug addicts revolve around a desolateConey Islandneighborhood. In"Phone Booth,"a soulless PR man is trapped in the titular glass box smack in the middle of midtown. In"Inside Man,"aWall Streetbank robbery is captured in a gunmetal-gray visual scheme.

Libatique, 42, faced new challenges in"Black Swan,"his fourth collaboration with Aronofsky. The film is up for five Oscars, including Best Picture, Best Actress (Natalie Portman) and Best Director.


Matthew Libatique wanted a feminine palette for 'Black Swan' so he chose 'white, magenta pink, soft greens, those kinds of colors.' (AP)

For the story of a ballet dancer's spiral into madness while rehearsing"Swan Lake"atLincoln Centerand dealing with her manipulative mother in a cramped upper West Side apartment, Libatique needed to bridge several worlds at once.

"As much as it was about ballet, we were also trying to honor a genre, because we were making a horror-like thriller,"he says."So that was really the biggest challenge: How do we not make a schlocky thriller? Darren and Natalie worked hard on her character, and her performance is so full of nuance and subtle shifts.

"We knew the visual language would need to mimic classical music, with the ups and the downs,"he continues."I also wanted to create a very feminine atmosphere. To get inspiration, I looked at atmospheric photography that was photojournalistic at the same time. I watchedKrzysztof Kieslowski's‘The Double Life of Veronique' and ‘Red.' And we gave the movie's palette a feminine feel, using white, magenta pink, soft greens, those kinds of colors."

Libatique's father worked as a film processor and was an amateur photographer who taught his son to appreciate cityscapes ("Some dads wake up early to go fishing— mine would get up early to photograph theGeorge Washington Bridge"). When Libatique was 8, the family moved fromQueens Blvd. in Elmhurst to 57th St. and 11th Ave. inManhattan, near the GM dealership where his mom worked.


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вторник, 22 февраля 2011 г.

Spider-Man reboot gets official title:'The Amazing Spider-Man'; old-school web shooters revealed

Spidey will be"Amazing"in his next big screen outing.

The reboot of the wall crawler’s film series will officially be called"The Amazing Spider-Man,"Sony Picturesannounced on Monday.

The movie studio also offered up another, more detailed image of the super-hero's new costume. Unlike theSam Raimifilms that starred Tobey MaGuire, this new version ofSpider-Manfeatures the more old-school mechanical web shooters.

Andrew Garfield, who was born inLos Angelesbut raised inEngland, will be swinging between buildings for directorMarc Webb. He's being joined byEmma Stone,Denis Leary,Martin SheenandSally Field.

"I'm very much in love with the idea of the mechanical web-shooters,"saidAin't It Cool News' Eric Vespe, also known as Quint."I mean, if you're going to reboot Spider-Man you might as well add in some of the comic goodness that Raimi didn't."


Previously released photo of Andrew Garfield as Spider-Man sans the mask. (Columbia Pictures)

msheridan@nydailynews.com; or follow him atTwitter.com/NYDNSheridan


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понедельник, 21 февраля 2011 г.

'I Am Number Four'movie review: Alex Pettyfer and Teresa Palmer toil in juvenile drama

WithAlex Pettyfer,Timothy Olyphant. A teen from another planet battles space enemies and bullies. Director:D.J. Caruso(1:50). PG-13: Violence. At area theaters.

Just because a movie is about juveniles doesn't mean it has to be juvenile."American Graffiti"wasn't a juvenile coming-of-age movie, nor was"The Breakfast Club"juvenile in its depiction of high school bonding."Clueless"was a deft social satire, and"Adventureland"a rather mature teen romance.

Ah, but the teenage alien genre— surely that allows for immature clichés. Except this is a time that future pop-culture-ologists will carbon-date as after"Buffy the Vampire Slayer"and"Heroes"departed, but before"X-Men: First Class"opened and"Twilight"concluded.

"I Am Number Four,"with its gangly title, seems like a dimwitted cousin to those hipper properties— a Superman-come-lately tale of puppy love, extraordinary powers and puberty that's duller than a chalkboard and less powerful than an extraneous Jonas brother.

As"Four"opens, a malevolent space squadron is descending to Earth to find and exterminate nine aliens, all masquerading as humans and under the legal drinking age. The baddies, known as Mogadorians, are not a winemaking family, but a vampiric-looking race that decimated the good citizens of the planetLorien. The nine targets are genius Lorien kids who escaped to Earth and scattered. The Mogadorians have turned three of them into dust.

Number Four is a teen (a dull Alex Pettyfer) who senses that his planet-mates have died because he gets glowing circular tattoos on his calf. Hitting the road with his warrior-guardian (a bored-looking Timothy Olyphant), the kid changes his name toJohn Smithand goes to tiny Paradise,Ohio, where he attends yet another school.

In Paradise, he meets the photography-obsessed Sarah ("Glee's"Dianna Agron), tussles with senior high bullies and befriends a geek (Callan McAuliffe). Yet Paradise seems to be the center of some weird UFO activities, and you know what that means: more Mogadorians. Good thing John is just learning how to use his telekinesis, light-shining hands and mega-jumping ability.

Adapted from a gummed-together young-adult fantasy novel byJames FreyandJobie Hughes— writing as Pitticus Lore — Caruso's movie assumes the mere appearance of tough Aussie chick Number Six (Teresa Palmer) will make it cool.

Actually, the only cool part is the appearance of huge monsters the Mogadorians unleash, which helps since the Mogadorians themselves look like rejects with bad makeup from"Star Trek: Deep Space Nine."Or whichever show got transmitted to Lorien in the early 1990s.


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воскресенье, 20 февраля 2011 г.

'Unknown'review: Liam Neeson brings gravitas to pulpy Alfred Hithcock-style action thriller

WithLiam Neeson,January Jones,Aidan Quinn. A man wakes after a coma and believes his identity has been stolen. Director:Jaume Collet-Serra(1:46). PG-13: Violence. At area theaters.

"Going insane,"says Liam Neeson in the new thriller"Unknown,""is a war between being told who you are and knowing who you are."

This twisty, engaging thriller is an example of the last part of that quote. Neeson, often chided for cashing easy action-flick paychecks at the expense of his serious-actor cred, knows who he is— an action star of a certain age who brings gravitas to pulpy stuff.

And if that's who he is, he could do worse than"Unknown."

Neeson playsMartin Harris, an American biophysicist arriving inBerlinwith his wife, Elizabeth ("Mad Men's"January Jones) for a conference that will announce a scientific breakthrough. After dropping his wife off at their hotel, however, Harris is in a car accident that leaves him in a coma for four days. Upon awaking, he discovers he isn't merely without a passport and a place to stay— he in fact has no wife, no friends, no identity at all.

When he gets to the conference, he finds another man (Aidan Quinn) calling himself"Martin Harris."Harris turns to Gina (Diane Kruger), the cab driver involved in his crash, for help, and hires an investigator named Jurgen (Bruno Ganz) to find out why no one remembers who he is.

Directed by Jaume Collet-Serra from the German genre novel"Out of My Head,""Unknown"is being sold like"Taken,"Neeson's 2008 hit, but it's filled with more Hitchcockian fun and gets surprising mileage from of its"Twilight Zone"-ish conceit. Everyone who glances at Martin on the Berlin subway seems in on a conspiracy. The"other Dr. Harris"knows the same people and information as he does, and everyone seems estranged from their true identities: Gina the cab driver is a Bosnian illegal, her boss rails against immigrants to Berlin and Jurgen is a former Stasi officer whose home is filled with testaments to his life as a secret policeman.

If the final resolution seems a little easy, the movie constantly keeps you puzzled, and it has a sharp supporting cast: Jones' sexy ice princess is dead-on, Ganz's decaying investigator is a delight,Frank Langellaturns up for an oily little turn, and Quinn is a witty choice to"replace"Neeson, who it turns out had a bit of a career plan after all. As long as he stays away from easy targets like"The A-Team"and fills his middle age with things like this, writing"Liam Neeson"on those paychecks may not be so bad.


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суббота, 19 февраля 2011 г.

Shane Black to direct'Iron Man 3'? Reports have Marvel Studios near deal for Jon Favreau successor

Marvel Studiosseems ready to bet on Black for"Iron Man 3."Shane Blackthat is.

In the wake ofJon Favreau's decision exit the popular superhero franchise, the studio is in final negotiations to hire the 49-year-old writer-director to take over,Deadline.comreported.

If Black, who is best known as one of the biggest action screenplay writers of the '80s, gets the gig, he would reteam withRobert Downey Jr., who is returning as the titular superhero. Downey Jr. acted in Black's 2005 directorial debut,"Kiss Kiss Bang Bang,"and is believed to have recommended him to replace Favreau.

It's unclear whether the"Lethal Weapon"scribe would also write a draft of the script for the movie, according to theHollywood Reporter.

Favreau's decision to exit"Iron Man 3"after directing the franchise's first two installments left a repulsor blast-sized hole in fanboys’ hearts.

"It's true, I'm directing Magic Kingdom {forDisney}, not Iron Man 3,"Favreau tweeted in December."I've had a great run with Marvel and wish them the best."

The first twoIron Manfilms earned $1.2 billion worldwide and paved the way for Marvel's ambitious slate of other superhero movies, including this year's"Thor"and"Captain America: The First Avenger"and next year’s"The Avengers,"which unites the studio's three big superheroes.

Black already has a pretty full dance card, already writing a script forWarner Brothers' Death Note, based on the popular manga, and is also working on a big screen version of Doc Savage, a two-fisted, yet intellectual pulp hero, forSony.


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пятница, 18 февраля 2011 г.

Whoopi Goldberg apologizes to New York Times for'shoddy reporting'dig, doesn't admit she misread

Whoopi Goldberghas apologized toThe New York Timesfor accusing them of"shoddy reporting"in the their article about blackOscar winners, but failed to admit her own error.

On"The View"Wednesday morning, the 55-year-old co-host took a moment to take back the vitriol she unleashed on Monday's show after the newspaper failed to mention her Oscar win in 1990 -- for Best Supporting Actress in"Ghost"-- in an article about the lack of Oscar nominations for and wins by black actors -- since 2002.

"I personally found the article really confusing, and I also was quite hurt thatCuba Gooding Jr.,Louis Gossett Jr., and I were not included in this expose about black Hollywood,"she said."But for saying it was shoddy reporting, I apologize, New York Times."

The actress admitted on Monday's episode of"The View"that she was"hurt"by the absence of her name in an article called"Hollywood's Whiteout,"written byManohla DargisandA.O. Scott.

"You're supposed to be better than this,"Goldberg said on the show."This is not some newspaper fromHoochie-Coochie Land. Dammit, get your facts straight!"

WhileElisabeth Hasselbecksaid she canceled her subscription to The Times in protest, the newspaper released a statement toew.comrevealing that Goldberg had simply misread the article.

"The error lies with those who are reading the story incorrectly,"the statement read."The point of the piece was not to name every black actor or actress who has been awarded an Oscar, it was to draw a comparison between the number who won prior to 2002 (the yearHalle BerryandDenzel Washingtonwon) and those who have won since.  And the story states very clearly that in 73 years, prior to 2002, only seven black actors/actresses won Oscars."


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четверг, 17 февраля 2011 г.

'X-Men: First Class'trailer hits the Web: Michael Fassbender simmers as a young Magneto

Fans were whipped into mutant hysteria with the release of the first trailer for the upcoming movie,"X-Men: First Class"Thursday.

Fox announced Wednesday on the movie's official Facebook page -- which boasts 1.7 million followers -- that it would be releasing the first footage from the film on Thursday afternoon.

They were not disappointed.

The clip shows a young Charles Xavier (James McAvoy) and his future arch-enemy Magneto (Michael Fassbender) as they team up to train a batch of raw young mutants in time to thwart the Cuban Missile Crisis.

"X-Men fans the wait is almost over!"the page said."The official X-Men: First Class trailer will be up this afternoon (PST) - and you will be the FIRST to know. So excited for you to finally see it!"

Within the first few hours of the trailer 's release, the movie's Facebook page added more than 100,000 new fans, according to the Hollywood Reporter.

The film revolves around the formative years of Professor X and his students. The cast includes"Mad Men"star January Jones as Emma Frost, famous for her sexy diamond-skin armor.

"X-Men: First Class"opens June 3.

 


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среда, 16 февраля 2011 г.

'Eagle'review: Channing Tatum is bland, but battle scenes are well staged

A soldier and a slave search for Roman treasure in NorthernBritain. WithChanning Tatum,Jamie Bell. Director:Kevin MacDonald(1:54). PG-13: Violence. At area theaters.

No one expects movies about gladiators to be complex. On the cinematic battlefield, at least, issues of Roman aggression, honor and brotherhood seem duty-bound to be as basic as an arena match that ends with a thumb's-up or a thumb's-down.

It is exactly that lack of originality, however, that pushes"TheEagle"closer to the second-thumb choice, at least as we know it in movie-review terms.

This old-fashioned sword-and-sandal drama has all the bread and circuses we've come to know from the movies. It flirts with interesting story choices, but ultimately, all roads lead to boredom.

In 140 A.D., young soldierMarcus Aquila(Channing Tatum) assumes command of a Roman troop in northern Britain. Two decades earlier, near this territory, Marcus' father led his own men into the highlands— they all disappeared, along with their golden Eagle that was the symbol ofRome.

Hoping to restore honor to his family name, Marcus ignores the advice of his uncle (miscastDonald Sutherland) and volunteers to go beyond Hadrian's Wall—"the end of the civilized world"— to retrieve the Eagle, rumored to be in the hands of a northern tribe.

He chooses as his only backup a slave, Esca (Jamie Bell), whom Marcus impetuously saved from death in an arena. Esca, a Briton and the son of a defeated chief, knows the land and says he owes his life to Marcus.

But when they come upon the war-painted people ofCaledonia, Esca suddenly holds Marcus and the Eagle's fate in his hands.

Tatum's profile is a Roman coin come to life, but little else about his bland performance is lively. Bell ("Billy Elliot") could do more with his sullen scrappiness, butJeremy Brock's script, based on a novel, keeps Esca a toadying servant whose fate owes less to strategy than to dumb luck and blind trust.

Director Kevin MacDonald has made feature films, including"The Last King of Scotland,"but he's best known as anOscar-winningdocumentarian ("One Day in September"). That background can't keep most of"The Eagle"from feeling so false,Charlton Hestoncirca 1959 would fit right in.

The movie's ham-handedness doesn't damage the well-staged battle scenes— though it infects almost everything else, from the appearance of Mohawked wild people to the toga-wearing magistrates.

It's all here: Funeral pyres, rallying cries, ridiculous dialogue ("A gladiator versus a slave is never a fair contest! Never!"). Apparently, the rule here was: When in a Roman Empire movie, do as past Roman Empire movies do.


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вторник, 15 февраля 2011 г.

'Cedar Rapids'review: Ed Helms and John C. Reilly stand out in ensemble including Anne Heche

Comedy about a timid insurance agent. WithEd Helms,John C. Reilly. Director:Miguel Arteta(1:26). R: Crude& sexual humor, drug use. At area theaters.

The kind of comedy that gets by more on its good nature than a good sense of humor, Miguel Arteta's"Cedar Rapids"is both easy to like and easily forgotten. Its appeal comes almost entirely from the cast members, who appear genuinely excited to invite us to their party.

That's saying something, since the festivities take place in a generic hotel inIowa, during an insurance convention. Newbie Tim Lippe (Ed Helms) is a naive, God-fearing agent who quickly gets caught up with the group pranksters, includingDean Ziegler(John C. Reilly), a friendly rival who spends his weekend trying to taint Tim's innocence.

Given that"Cedar Rapids"comes from the same uptight-guys-get-loose school as"The Hangover"and"Hot Tub Time Machine,"it should be no surprise that poor Tim finds himself constantly, and literally, caught with his khakis down.

Helms is a scene-stealer with a generous streak and stands out in an ensemble, while making it stronger. Among his able partners-in-crime are a slyly sexyAnne HecheandIsiah Whitlock Jr., whose impeccable comic timing may shock those who know him from"The Wire."

But the movie belongs to Helms and Reilly, ringleaders who barely seem to notice that the script fromPhil Johnstonfavors easy jokes and obvious setups. They, and the others, give this minor movie major heart. While a Midwestern convention might not sound like the most promising escape, take it from Tim: Good times aren't about where you are, but who you're with.


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понедельник, 14 февраля 2011 г.

'The King's Speech's'Colin Firth gets royal approval from Queen Elizabeth II

Colin Firthhas yet to be crowned Best Actor at theAcademy Awards, but the British actor got an honor that's even better - a royal thumb's up fromQueen Elizabeth II.

The Queen watched the 50-year-old actor's Oscar-nominated portrayal of her father,King George VI, in"The King's Speech"during a private viewing and loved Firth's performance.

"The Queen loves a good film,"a source toldLondon's Sun."The King's Speech is close to the bone as it is a portrayal of her family in the 1930s.

"But she found it moving and enjoyable. She was clearly amused by some of the lighter moments."

Frith and the film has won over critics far beyondBuckingham Palace. The actor portrays of the monarch's real-life struggle to overcome his stammer, with the help of an Australian actor (Geoffrey Rush), in time to make a pivotal speech on the eve ofBritain's entry into World War II.

The Queen, 84, joins a chorus of acclaim for the film, directed byTom Hooper, Firth has already racked up wins at theSAG Awardsand theGolden Globes.

With 12 nominations, the movie, which also starsHelena Bonham Carter, has passed"The Social Network"as the favorite to win Best Picture at the Feb. 27 Academy Awards.


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воскресенье, 13 февраля 2011 г.

'The Roommate'review: Even hot co-eds can't rescue this lukewarm thriller

A college freshman becomes scarily possessive. WithLeighton Meester,Minka Kelly. Director:Christian E. Christiansen(1:33). PG-13: sexuality, violence, language. At area theaters.

If ever a thriller were to inspire a collective"eh,"it's got to be"TheRoommate."It's not a good movie, by any means, but it's also not bad enough to have fun hating on. Basically, everyone involved seems to be thinking about what other, presumably better, project they can move on to next.

Of course, that's assuming director Christian E. Christiansen and writerSonny Mallhicontinue to make movies. Judging from this effort, they don't really seem to care much one way or another.

The same could be said for lead Leighton Meester, whose appealing edge on"Gossip Girl"has been oddly blunted for her role as the psychopathic Rebecca. We know something's wrong when Rebecca refuses to party with the rest of the freshmen during orientation week at theUniversity of Los Angeles. But her naïve roommate, Sara (Minka Kelly), never seems to notice how odd Rebecca's behavior is.

Sure, their friend Tracy (Aly Michalka) quickly switches dorms after a disturbing encounter in the showers. And yeah, Sara's adorable kitten suddenly vanishes, never to be seen again. Also, it's a little strange that the sleazy teacher who's been hitting on her (Billy Zane) simply disappears one day. But Christiansen needs to pad the movie out to an hour and a half, so on we go, as Sara remains ridiculously oblivious to the fact that Rebecca will do anything to be her Very Best Friend.

Don't get your hopes up, though: the PG-13 scares are so tame that we mostly just see Rebecca pouting and plotting. The only real action comes at the very end, and is resolved so neatly we leave wondering why the filmmakers bothered in the first place.

The one element of intrigue is the physical similarity between Kelly and Meester, which initially sets up expectations for some creepy identity theft. But that fades early, as it becomes clear that there is no particular goal here: no interesting story, no unusual visual angle, no reason for the movie to exist at all, in fact--other than to get teens to pay to see gorgeous young stars looking gorgeous and star-like.

And in that regard,"The Roommate"does succeed. Kelly andCam Gigandet, who plays Sara's boyfriend, have a confident, easygoing chemistry, and though she underwhelms here, Meester is always a likable presence. But you know what? It's cold out. Movie tickets are expensive. And if you make aNetflixdouble feature out of"Gossip Girl"  and"Single White Female,"you'll get the same experience--only cheaper, warmer, and a lot more fun.


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суббота, 12 февраля 2011 г.

'Justin Bieber: Never Say Never'is familiar, cute story of pop star's rise to fame; crush material

It's common forJustin Bieber's team to talk about how unique his story is, how there's never been anyone like him and probably never will be again. And maybe that's true, if you happen to be a 12-year-old girl in 2011.

If you're the chaperone who's been pulled along to"Justin Bieber: Never Say Never,"however, you'd be forgiven for thinking his movie looks just like, say, 2009's"Jonas Brothers: The 3D Concert Experience,"orMiley Cyrus'"Best of Both Worlds Concert"before that. 

But this is not a place for cynicism. Bieber's world— at least as edited for mass consumption — is a refreshingly wholesome universe, where a young superstar is good-natured and grateful, says grace before every meal, and spends all his free time on the tour bus tweeting. He also likes to hug, a lot.

In other words, he's the perfect first crush, and this is the perfect movie for someone currently experiencing that crush."Never Say Never"recounts the history fans undoubtedly know by heart, starting off with baby pictures and home videos, showing a talented kid who eventually becomes aYouTubesensation, before facing his first night atMadison Square Garden. Most of the movie leads up to and includes that 2010 show, packing in guests like Cyrus, Usher, andJaden Smithalong with two dozen songs, from the swoonworthy"One Less Lonely Girl"to the undeniably hooky"Baby."Plus, we get to watch Bieber shake his hair in 3D.

Any adult could guess that this upbeat, carefully-packaged promotional tool - slickly directed by"Step Up"veteranJon Chu- was produced by Bieber's management. But all tweens will see is their front-row seat to the Best. Concert. Ever. At least until their new crush comes along next year.


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пятница, 11 февраля 2011 г.

Justin Bieber'Never Say Never'premiere lands Will Smith kudos, Hollywood Reporter cover for teen

Justin Bieberhas hit the big screen big time with"Never Say Never"- just askWill Smith.

The 16-year-old pop star's 3D biopic premiered inLos AngelesTuesday and the"Men in Black"has labeled it a"hit."

"When Will Smith looks at you and says 'I know movies and that's a hit movie' u just feel good,"Biebertweetedafter the premiere."What a night. No words other than #thankyou"

Smith brought his wife,Jada Pinkett, and his kids, Willow and Jaden, to the celebrity-fueled premiere at theNokia Theater.Miley Cyrus,will.i.amand Bieber’s rumored girlfriend,Selena Gomez, were also at the screening.

Usher Raymond, the"Baby"singer's mentor "surprised"him by showing up, as did some hundreds of fans, who came to watch the first screening of the film, which does not hit theaters until Friday.

For those not lucky enough to attend the L.A. premiere, there were special Wednesday night screenings held at 300 theaters across the country - price of admission: $30.

In addition to his newfound big screen success and his twoGrammynominations this year, Bieber appears on the cover ofThe Hollywood Reporter'snew issue, which hits newsstands on Thursday.

In a cover photograph byJeff Lipsky, Bieber stands betweenIsland Def JamCEO and ChairmanAntonio (L.A.) Reidand Usher while the headline trumpets,"The Business of Justin Bieber."

According to THR, Bieber cut his famous locks two days before the shoot, which accompanies an article that charts the You Tube sensation's transformation by Reid and Usher into a $100 million It Boy and how they buoy his staying power via social networking.

With News Wire Services


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четверг, 10 февраля 2011 г.

Risk management: Up-and-coming stars should watch daring, versatile elders like James Franco

Every January a few unknowns break out atSundance, gathering buzz that— if they're really lucky — continues to grow once their films hit the real world. Last year,Jennifer Lawrenceappeared at the festival as a tough Ozark teen in"Winter's Bone."In three weeks, she'll walk the world's biggest red carpet as a Best ActressOscar nominee— and she has her first blockbuster role, Mystique in this summer's"X-Men: First Class."

Still, she'd better be careful: More often than not, today's fresh face becomes yesterday's news. There are all sorts of reasons some stars rise and others fall. But with endless competition for a limited spotlight, it's versatility that ultimately matters most.

So Lawrence may want to take particular note of her Oscar competitionNatalie Portman. After idling in mostly mediocre roles, Portman challenged herself with the toughest performance of her life in"Black Swan"— and she has aGolden Globeand an Oscar nomination to show for it. She has also offered two entirely different portraits in the last month, as a slightly dizzy rom-com heroine in"No Strings Attached"and a grieving mother in"The Other Woman."

FRANCO'S FULL PLATE
Meanwhile, our Academy Awards co-hostJames Francoturned himself into a soap star, author, painter and performance artist, before reminding us of his original gifts with a daring, near-solo turn as the imperiled hiker inDanny Boyle's"127 Hours."And if he doesn't win aDaytime Emmyfor those"General Hospital"appearances, his Oscar nod for"127 Hours"will dull the sting.


Portman diversified her career in three new film releases, including 'Black Swan,' in a short stretch of time. (Fox Searchlight)

Portman and Franco— who'll co-star in the comic adventure"Your Highness"in April— aren't the only ones who have recently boosted their careers with some well-chosen risks.

Last year,Ben Affleckcontinued to remake his résumé by directing"The Town."Matt Damonshowed his comic side in"30 Rock"and"True Grit."Dakota Fanningedged toward adulthood with the nervy"Runaways."Justin Timberlake's dazzling appearance in"The Social Network"suggested he's ready for leading-man status.Zach Galifianakisplayed a suicidal father in"It's Kind of a Funny Story,"ensuring he won't be trapped in a lifetime of goofy supporting roles.

On the other hand, some actors are wedged in ruts so deep, they'll find it tough to climb out. Leading that list, alas, isJennifer Aniston— an actress so likable that seven years after leaving"Friends,"she's still getting starring roles in major movies. Unfortunately, those movies usually turn out to be empty duds.

We'll cross our fingers and trust that next week's"Just Go With It"won't join the scrap heap alongside"Love Happens,""TheBounty Hunter"and"The Switch."But her best work has been in modest indies like"The Good Girl,""Friends With Money"and"Management."There'd be no shame in sticking with arthouse efforts, going for a major movie only when she finds a project that's really worth her— and our — time.

MCCONAUGH-WHO?

Similarly, does anyone else remember how greatMatthew McConaugheywas in his feature debut, 1993's"Dazed and Confused"? Every so often—"We Are Marshall"comes to mind— he'll rouse himself to actually act again. But what's the first thing you think of when you hear his name? We're not complaining about his aversion to shirts. But like Aniston, he risks leaving a legacy that has little to do with his body of work.

In fairness, he's hardly the only actor who seems stuck on autopilot.Jack Blackwas amusing as ever in"Gulliver's Travels,"but we've seen enough variations on hisTenacious Dpersona already. His performances in"Jesus' Son"and"TheSchool of Rock"remain his best because he stretched himself— and succeeded. More of that, please.

And less,Robert De Niro, of the"Focker"nonsense. We know you've earned the right to cash any checks you damn well please. But that doesn't mean you have to. The same goes for fellow FockersBen StillerandOwen Wilson, who have repeatedly proven that comedy can be the smartest of genres. Or, you know, not.

You wonder whyNicolas Cage,Tom Cruise,Halle Berry,Renee Zellweger,Vince Vaughn,Kate HudsonandKatherine Heiglkeep making regrettable professional choices. They can serve as examples for a new generation.

Among this year's up-and-comers, few should be better prepared thanElizabeth Olsen. Having watched her big sisters,Mary-Kate and Ashley, blossom and wilt in public, Olsen took her time before claiming our attention. Though she's undoubtedly had bigger opportunities, she wisely started small, recently earning raves at Sundance as a former cult victim in the indie"Martha Marcy May Marlene."

Additional Sundance successes includeFelicity Jones, whose romance"Like Crazy"was one of the hits of the festival, andBrit Marling, who both co-wrote and starred in two dramas:"Sound of My Voice"and"Another Earth."

BUZZ YOU CAN BELIEVE IN
And you'll be hearing more aboutJuno Temple, whose upcoming films include Matthew McConaughey's"Killer Joe"(we'll hope for the best), andEmily Browning, who's already snaring notice as the lead in the action flick"Sucker Punch."

Most promising of all may beEzra Miller, who displayed an impressively broad range in three very different films last year:"City Island,""Beware the Gonzo"and"Every Day."Next he'll play a violent teen in"We Need to Talk About Kevin,"oppositeTilda SwintonandJohn C. Reilly. If he's smart, he'll listen to any advice his experienced co-stars care to share.

Which actors are still getting it right? Or have gone drastically wrong? Share your thoughts atEWeitzman@nydailynews.com.


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среда, 9 февраля 2011 г.

Coen Brothers poke fun of Tara Reid for claiming'The Big Lebowski 2'will film this year

Tara Reidmay want to get in touch with the directors of her next film before talking about it.

You know, just to make sure there actuallyisa film.

The perennial partyer had a bit of a slip-up last month when she"revealed"that she'll be working on"'The Big Lebowski2' this year."

"The whole cast should be coming back for that,"Reid, 35, said in a video interview withHollywood.TV.

That was news– rather humorous news – to theCoen brothers, who wrote, produced and directed the 1998 comedy favorite starringJeff Bridgesas"The Dude."

There are no current plans for a sequel.

"I'm glad she's working on it,"Ethan Coenjoked toAustin360.comon Thursday when told about Reid's comment."We'll watch it when it comes out."

"Especially if Tara's in it,"Joel added.

Reid, who appeared in the original film as Bunny Lebowski,"may have misspoke,"her rep admitted toEW.com.

"She heard Jeff Bridges say that he wanted to make 'Big Lebowski 2' and have all the original cast members in it,"the rep explained,"so she may have misspoke, thinking that included her based on what Jeff said."

Poor Bunny.


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вторник, 8 февраля 2011 г.

Vanity Fair Hollywood Issue debuts with slightly more diversity, touts Hathaway, Franco, Oscar noms

Nothing says Oscar season quite like gathering the year's freshest crop of Hollywood must-haves together in skin-tight (and skin-revealing) gowns and dapper coats and bow-ties.

Pale arms drape over dark suits, men clutch drinks and Olivia Wilde wears next-to-nothing in this year's Vanity Fair Hollywood Issue, due out on stands Thursday.

"No teenagers, no penguins, no (full-on) nudity, just the most exciting actors and actresses of the moment,"Vanity Fairdeclares.

And indeed, with a theme that harkens back to"the glamour of 1930s Shanghai, an era of smoky, alluring elegance,"according to fashion and style director Jessica Diehl, the shoot tries to push past conventional covers.

Vanity Fair wascriticizedlast year for featuring only fair-skinned actresses on its"New Hollywood"cover in a year when many other non-white actresses were having their moment, most prominently Gabourey Sidibe for her turn in"Precious"and Zoe Saldana in"Avatar."

With the Academy Awards less than a month away, the publication this time brought together some of the industry's most disparate hard-hitters in one large pull-out cover in what can be called a deliberate departure from last year's controversial fair-skinned layout.

This year, Vanity Fair includes a wider array of diversity, including"The Hurt Locker"star Anthony Mackie - who is all but overshadowed by a nearly naked centerpiece Olivia Wilde, Robert Duvall, peeking out from behind Mila Kunis' alluring gaze, and Rashida Jones, who drapes gracefully in a floor-length leopard print gown whilst feeding a lion cub.

Thebuzzthis year?

None of the actors on the cover panel of the spread are people of color.


Last year's controversial Hollywood Issue drew criticism for its lack of diversity. (Vanity Fair)

Hollywood hunks Ryan Reynolds, Jake Gyllenhaal and James Franco surround Oscar host Anne Hathaway in the glamorized cover, and though she is undoubtedly gorgeous on the cover,"white hot"might not be the best term to use - it's a touchy subject.

The complete celebrated list includes Ryan Reynolds, 34; Jake Gyllenhaal, 30; James Franco, 32; Anne Hathaway, 28; Jennifer Lawrence, 20; Anthony Mackie, 31; Olivia Wilde, 26; Jesse Eisenberg, 27; Mila Kunis, 27; Robert Duvall, 80; Joseph Gordon-Levitt, 29; Andrew Garfield, 27; Rashida Jones, 34, Garrett Hedlund, 26, and Noomi Rapace, 31, the original Girl with the Dragon Tattoo.

jchen@nydailynews.com


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понедельник, 7 февраля 2011 г.

'Sanctum'review: Shallow characters are passing air bubbles in action-packed cave adventure

A cave-diving team faces catastrophe. WithIoan Gruffud,Rhys Wakefield. Director:Alister Grierson. (1:49) R: Violence, language. At area theaters.

ThoughJames Camerononly executive-produced"Sanctum,"this man-versus-nature adventure has all the earmarks of theOscar-winningfilmmaker's movies— which can at times suck the air out of things.

Big as they are, Cameron's blockbusters are interwoven with an often aggravating earnestness. Put aside technological high-watermarks and box-office success, and what stands out about"The Abyss,""Titanic"and"Avatar"is howBoy Scouttheir emotions are."Sanctum,"directed by documentarian Alister Grierson, feels the same only without any gloss, so it comes close to being an extended version of anImaxmovie at the Museum of Natural History. Still, when the movie needs to, it can rock 'n' roll.

Inspired in a bare-bones way by a real-life Australian diving accident in 1988,"Sanctum"begins as Carl (Ioan Gruffudd), a wanna-be-adventurer millionaire, arrives in Papua, NewGuinea, with his mountaineer girlfriend, Victoria (Alice Parkinson), to go cave-diving. Their team is led by Frank (Richard Roxburgh), an irascible veteran caver who's spent more time underground than with his now-grown son, Josh (Rhys Wakefield).

After those four and their technicians start spelunking inside"the largest unexplored cave system in the world,"a sudden hurricane floods the cavern, sealing their entryway. Trapped, they have to trust Frank to get them to an ocean exit before they drown, get smashed against the rocks or fall prey to bad judgments and petty rivalries.

Once the clichés are dispensed with — Frank"likes to play by his own rules"and"can only make sense of things"when he's in the center of the earth— there are some gripping thrills. Water is both friend and foe, the sense of claustrophobia is palpable, and by the movie's midway point the bodies start to pile up. (A double-feature of this and"127 Hours"might kill the last subscriptions toBackpacker magazine.)

It all looks sharp, though the 3-D is wasted except for a scene in a tunnel. The acting, meanwhile, is stuck in one dimension. Gruffudd ("TheFantastic Four") delivers laugh-inducing groaners, and Wakefield, who resembles a youngMichael York, may as well be playingBasil Expositionfor all the back-story he provides. At least Roxburgh is a gruff cartoon, a fun Aussie combo of Captains Nemo and Queeg.

The screenplay, by underwater explorer-filmmakerAndrew Wightand diver-screenwriterJohn Garvin, is, naturally, spot-on with the descent drama (Wight was actually part of the '88 expedition). If you're able to think of characters as just air bubbles to get past, then dive in, the excitement's fine.


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воскресенье, 6 февраля 2011 г.

'Last Tango in Paris,'with Maria Schneider, landed director Bertolucci obscenity conviction in 1972

The term"controversial"only begins to capture the response the film"Last Tango In Paris"evoked when it was released in the fall of 1972.

A lot of films are controversial.

Very few trigger such a firestorm that their director is sentenced to four months in prison. Very few trigger bomb threats to theaters, angry crowds of picketers and the agreement by both conservative commentators and theNational Organization for Womenthat they are either insidious or just plain pornographic.

ReviewerPauline Kaelsaid"Last Tango"changed the face of movies, and while that may or may not be true, it did turn out to define the outer limits of a brief trend toward more and more graphic content in mainstream movies.

By the mid-1960s, the major Hollywood studios had finally discarded their adherence to the 1930s Hays Code, which set strict standards for sexual explicitness, language and other"morality"content issues.

Suddenly free, filmmakers and studios began experimenting with nudity, strong language and other"adult themes."

By 1969 the X-rated"Midnight Cowboy"had won an Oscar as best picture, so it was probably not surprising that three years later there would be a mainstream release of"Last Tango,"which went several country miles past"Cowboy."

While"Last Tango"nominally had a large cast, its impression came from two characters: Paul, played by the already legendaryMarlon Brando, and Jeanne played by relative newcomerMaria Schneider.


Maria Schneider and Marlon Brando in bed in 'Last Tango in Paris.' (Everett)

Paul was a widower, Jeanne an engaged young Parisian. They meet, connect and agree to have anonymous sex, which Paul in particular feels will release all their inhibitions.

Director Bernardo Bertoluccifelt the same way, he said in many subsequent interviews, and his camera often focuses on the gratification this arrangement brings to Paul.

The camera doesn't explicitly record all those gratifications, but it captured enough of them to make viewers forget any concerns about whether there was too much butter on their popcorn.

The butter on screen went elsewhere, and even that wasn't as explicit as the sexual dialogue. Somewhere around the time Paul suggests Jeanne have sex with a pig– to prove her devotion to Paul – viewers could feel the new"sexual freedom"limits starting to approach the wall.

New York's NOW chapter denounced"Last Tango"as a"tool of male domination."Conservative writer and TV hostWilliam F. Buckleyprobably tapped a broader vein when he called it"pornography masquerading as art."

"Last Tango"never faced any formal censorship in theU.S., but British censors refused to allow its release without trims to the sexual scenes.

The most strident response came in Bertolucci's nativeItaly, where he tried for and convicted of obscenity and theaters were ordered not to show the film. In 1976, theItalian Supreme Courtordered all copies destroyed.

Brando and Schneider both turned against"Last Tango"after its release, saying the director and the film degraded them.

"Last Tango"still ended up carving a niche in film history. But this particular tango did indeed turn out to be the last.


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суббота, 5 февраля 2011 г.

Short reviews:'American Grindhouse,''Home,''Cold Weather,''Troubadours,'Dressed'

American Grindhouse ***
Documentary on cinema's exploitation masterpieces (1:20). Not rated: Clips of sex and gore. At Cinema Village.

Overlong but chock-full of humor, mayhem, sex, gore, out-there social commentary, leather jackets, black fishnets, wild polka-dot
bikinis, mondo motorcycles, fast-killing pussycats and heads both decapitated and transplanted, directorElijah Drenner's movie is the equivalent of a stroll through cinema's id. Commentators including directorJohn LandisandJoe Dante, actorFred Williamsonand various and sundry film historians discuss the impact that"nudie cuties,"angry-teen flicks and action schlock have had on American culture, high and low. The great footage of 42nd St. and Hollywood Blvd. at their sleaziest aren't the dirtiest things here, but they're certainly welcome, as is the energy Drenner exhibits. The only thing missing is more schlocky scenes of guys in ape suits.Joe Neumaier

Home ***
Documentary about the effects of global warming (1:58). Not rated. At Village East.

This beautiful, alarming tutorial-style film evokes"Koyaanisqatsi,"but with dire narration (courtesy ofGlenn Close).Director Yann Arthus-Bertrandbegins with shots of the natural world, then transitions to images and facts about the damage done to the planet. More mournful than alarmist, Arthus-Bertrand's film goes beyond global warming to look at life out of balance, through a lens darkly. JN

Cold Weather **
A slacker looks for clues when his friend goes missing (1:33). Not rated. At theIFC Center.

APortlandguy plays detective after a potential girlfriend disappears in this un-chic but wry little mystery of manners that could be called an articulate cousin of mumblecore. Doug (a mellowCris Lankenau), aSherlock Holmesfan, finally gets some drive by seemingly stumbling upon shifty events. At last, it seems, there's something to occupy his imagination.

Unfortunately, the movie doesn't have enough going on to keep us engaged, but writer-directorAaron Katzhas a confident style and a way with small moments: A slow closeup on a bridge overlooking a waterfall may wind up being one of the most elegant shots of any movie this year. JN

Troubadours ***
History ofL.A.'s singer-songwriter movement (1:31). NR: Drug references. At the IFC.

Everything aboutMorgan Neville's musical documentary is interesting, in part because he seems so taken by his topic: the singer-songwriter scene of the early '70s. But he's got too much material for just one movie.
Our tour begins at L.A.'s Troubadour club, which introduced audiences to acts ranging fromJames TaylortoElton John. Club ownerDoug Westonfeels like a character who could easily fill an entire film, but as soon asNevillestarts to follow one path, he loses track of another.


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пятница, 4 февраля 2011 г.

Hollywood's top 40 movie earners: James Cameron tops list; Kristen Stewart leads six women

James Cameron unsurprisingly topped Vanity Fair's list of Hollywood's biggest movie earners for 2010 thanks to his"Avatar"success -- more surprising was the fact that only six women made the 40-strong survey.

"Twilight"star Kristen Stewart beat out Angelina Jolie, Jennifer Aniston and Sandra Bullock to, at 20, become one of the youngest members (she came second only to co-star Taylor Lautner, 18, who landed at number 9 with $33 million) and the richest woman on the list at the number 13 spot with estimated earnings of $28.5 million.

But the actress' earnings paled in comparison to Cameron's $257 million take in 2010 -- which the magazine based on"Avatar's"worldwide gross of $1.95 billion -- which was followed by"Pirates of the Caribbean"star Johnny Depp's income of $100 million.

Rounding out the top five were Steven Spielberg at $80 million, followed by"Inception"director Christopher Nolan at $71.5 million and his film's star, Leonardo DiCaprio, who is estimated to have earned $62 million last year.

The next actress to make the list after Stewart was Jennifer Aniston, at number 18, who earned an estimated $24.5 million last year based on her high fees for films like"Just Go With It"for which she was paid her highest price at $10 million.

She beat out Angelina Jolie -- who landed at number 21 -- by $1 million, despite the fact that the actress earned $9 million more than Aniston's highest fee for her role in"The Tourist."

Rounding out the list of top-earning actresses was Sandra Bullock at number 22, who earned $22 million last year thanks to"The Blind Side"and older revenues, Katherine Heigl, who nabbed the number 33 spot with $16 million, and Reese Witherspoon, who took the number 36 spot with $14.5 million.

Vanity Fair's survey includes directors, producers, writers and actors and the money they earned from the big screen.

For the magazine's full list of top Hollywood movie earners,click here.


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четверг, 3 февраля 2011 г.

SAG Award Winners 2011: Snubs and surprises, including Natalie Portman's win over Annette Bening

TheScreen Actors Guild awardsmostly followed the script when it came to big-screen winners on Sunday night.

The almost 100,000-member strongSAGvoters nationwide crowned Colin Forth as Best Actor for"The King's Speech,"Christian BaleandMelissa Leoas Best Supporting Actor and Best Supporting Actress for"The Fighter,"and"King's Speech"as Best Ensemble, the guild's equivalent of Best Picture.

The only (minor) surprise wasNatalie Portman's win for Best Actress for"Black Swan."The newly pregnantLong Island-born actress scooped up her second major award of the season; earlier this month, she got Best Actress (Drama) at theGolden Globes.

Of course, the Globes divide up their big categories, and soAnnette Bening— Portman's main competition — got Best Actress in a Comedy for"The Kids Are All Right."The fact that Bening didn't receive the Best Actress spot from the actors— which is the biggest voting bloc in the Academy of Motion Picture Arts& Sciences, it should be noted— makes the Oscar Best Actress race trickier to call.

Otherwise, the main competition for Firth, Bale and Leo— respectively,James Franco("127 Hours"),Geoffrey Rush("The King's Speech") andAmy Adams("The Fighter")— lost ground, though Rush's inclusion as part of the"King's"juggernaut is worth keeping an eye on.

And"King's"Ensemble award isn't really surprising, given that"The Social Network"is at most a three or four-man show. The team who broughtKing George VI's prewar drama to life (Firth, Rush,Helena Bonham Carter,Michael Gambon,Derek Jacobi,Guy Pearce,Jennifer Ehle, andTimothy SpallasWinston Churchill) are more pedigreed that"TSN's"young upstarts, much less"The Fighter's"battling brood, or"True Grit's"western roustabouts. However, given"Grit's"10Oscar nominations, it certainly had as good a chance with SAG as any.

Whether Oscar will follow a similarly regal path is now fairly clear. Though of course, as any King knows, nothing is written in stone.

CLICK HERE FOR A FULL LIST OF SAG WINNERS


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