понедельник, 23 мая 2011 г.

'The Hangover'remedy: How Zach Galifianakis guards his funny bone

Meteoric fame, the kind that comes with the highest-grossing R-rated comedy of all time, brings its own type of hangover. Ever since 2009's"The Hangover,"Zach Galifianakishas had a little more trouble navigating the streets ofBrooklyn, where he lives part-time during filming of the third season of hisHBOshow,"Bored to Death."

"What I do is walk with headphones on, hoping people get the hint,"Galifianakis tells The News."People are generally very, very nice ... it's when people sit down at a restaurant with you. They think they can just sit down and chat with you and go,‘Remember the time?'

"Yeah, I remember the time, I was in the g—damn movie,"he deadpans.

He'll have to get used to even more attention with his next damn movie,"The Hangover Part II,"opening Friday.

The film reunites co-stars Galifianakis,Bradley CooperandEd Helms, directorTodd Phillipsand the premise that rocketed the first"Hangover"to $474 million worldwide at the box office. Once again, the three bumbling friends wake up in a trashed hotel room just before a friend's wedding, missing one of their group, with no memory of the debauchery that put them in their predicament.

This time, however, they have to navigate the humid and seedy streets ofBangkok, which ratchets up both the stakes and the humor. Think drug-dealing monkeys and hermaphrodite hookers.

"Bangkok the city itself helped us with our perspiration and helped us with the way that we looked awful,"says Galifianakis."The great thing about the‘Hangover' movies is that you don't have to take care of yourself while you're shooting. It's better if you don't."

The Bangkok set was 8,560 miles and a world away fromNew York City, where Galifianakis arrived fromNorth Carolina16 years ago.

Interested in standup comedy, he got his first gig— all three minutes of it — in the back of Hamburger Harry's inTimes Square. Recounting his first joke, he warns that it's not exactly comedy gold:"I was with this girl the other night and we ended up at her house and she said,‘Hey look, you can crash on my futon.' And I looked at her and I said, ‘I don't sleep on anything that rhymes with crouton.'

"I think I heard a cough and a fork drop at the same time,"he says."Silence. But after that night, I remember thinking to myself— not to be too dramatic, but I do remember — ‘This is the path I'm going to take.'"

That path included the walk between his"triple illegal sublet"on Ludlow St. in theEast Villageup to Standup NY, a comedy club on 78th and Broadway, to save on subway fare.

That path also included horrific jobs to support his passion. He toiled as a busboy at a strip club and worked atWebster Hall, where"I crawled on my hands and knees on the floor and picked up beer bottles."Part of him still misses those days, Galifianakis says with a delivery that makes it hard to tell if he's joking.

Over the decade and a half before"The Hangover,"he flirted with success: recurring roles on television series like"Boston Common"and"Tru Calling,"a short-lived talk show onVH1, short scene-stealing bits in a handful of movies.

Long before many people could spell Galifianakis, the comedian was on Phillips' radar after the New York-born director caught a show inLos Angeles. Phillips was casting the role in his first major movie, 2000's"Road Trip,"that ultimately went toTom Green, but came close to hiring Galifianakis instead.

What appealed to Phillips, who has collaborated with Galifianakis on his last three movies, including 2010's"Due Date,"even then?

"He has the most innocent, gentle eyes, so he's able to play those characters that can say or do anything and {you realize}‘Oh, he didn't really mean it like that,'"says Phillips.

For example, one of Galifianakis' quips from the first"Hangover"could have gone awry without the right delivery."Like when he says,‘I'm not supposed to be within 200 feet of a school. Or aChuck E. Cheese,' they know he's not a molester,"says Phillips,"they know he just likes to hang out."

That's true of the real Galifianakis too: He likes to hang out. Hollywood success afforded him the chance to purchase a farm in North Carolina, but he'd still rather walk across theBrooklyn Bridgethan be chauffeured to the other side.

He also worries he'll get soft if he doesn't get on stage in front of a live audience more often.

"As a comedian to have that recognition almost is anti-comedy to me,"he says."We're not supposed to be the ones who get that kind of attention, so I'm a little bit sensitive about it. I don't want to soil what brought me there in the first place."


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воскресенье, 22 мая 2011 г.

'Cost of a Soul': Low-budget drama has a gutsy handle

Two veterans become embroiled with violence back home (1:30). R: Violence, language. At the AMC Empire 25 andMagic JohnsonHarlem9.

This low-budget drama has a gutsy handle on what makes a crime drama crackle. Queens native Will Blagrove plays DD, a returningIraqvet having difficulties reconnecting with his mother and friends, and having even more trouble with his brothers. One has risen to neighborhood overlord, the other is slipping into a life of crime and drugs.

Meanwhile, Tommy (Chris Kerson), also back from battle, argues with his wife and introduces himself to the daughter born just after he left. After Tommy gets in debt to a thuggish crime boss (Greg Almquist), decisions are made that make the home front dangerous.

Kerson and Blagrove are intense, and veteran character actor Almquist turns in a Scorsese-quality turn as a corrosive, scowling SOB with fire in his eyes. Writer-director Sean Kirkpatrick's movie won anAMC Theatersindependent film contest, and though it's rough around the edges, it is also, undeniably, a nervy, confident debut.


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суббота, 21 мая 2011 г.

'Titanic'will return to theaters in 2012 to commemorate the 100th anniverary of the tragedy

Their hearts will go on, again.

To commemorate the 100th anniversary of the Titanic's setting sail, it was announced Thursday that directorJames Cameron's epic blockbuster"Titanic"will be docking in theaters again on April 6, 2012.

The 1997 film, which madeLeonardo DiCaprioan international heartthrob, nabbedKate Winslether first Best ActressAcademy Awardnomination and was the top-grossing movie of all time until Cameron's"Avatar"cruised into that spot over a decade later.

This time, though, the Oscar-winning special effects– the film garnered a total of 11 Academy Awards – will be presented in 3-D for the first time.

"There's a whole generation that's never seen 'Titanic' as it was meant to be seen, on the big screen.” Cameron said in a statement."And���converted to 3D … with the emotional power intact and the images more powerful than ever, this will be an epic experience for fans and newcomers alike."

Early on the morning of April 15, 1912, theRMS Titanicsunk in the Atlantic, killing 1,517 passengers and crew.


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пятница, 20 мая 2011 г.

'Pirates of the Caribbean: On Stranger Tides'review: Overstuffed and underwhelming

Even a maverick has to pay the bills, right? WhileJohnny Depphas built himself an admirably eclectic resume, a villa in the South ofFrancedoesn't run itself. Which means, presumably, that he can't take risks like"Rango"unless he occasionally pads his bank account with yet another overstuffed, underwhelming"Pirates of the Caribbean"sequel.

Perhaps directorGore Verbinskihas a smaller mortgage, as he wisely walked away after his third attempt. (Or maybe he just knew"Rango,"which he also made, would turn out well.)

The new captain isRob Marshall, who scrapes off a few of the barnacles that clung to the last effort. But he can't avoid the feeling that this adventure has run aground.

WithOrlando BloomandKeira Knightleyalso gone, Penélope Cruz has stepped in as Angelica, the daughter of Blackbeard (Ian McShane). Together, they're on a search for the legendary fountain of youth. But they'd better move quickly: a British team led by Barbossa (Geoffrey Rush) plans to get there first.

Angelica assembles a crew by posing as her former beau—a certainJack Sparrow. The real Sparrow (Depp) is characteristically bemused by this impersonation, until he figures out how to turn it to his advantage. Soon he's hopped aboard Blackbeard's ship, determined to beat everyone else to immortality.

Cruz makes a fine foil for Depp; her spirited presence brings a much-needed second (fourth?) wind to these familiar proceedings. But she can't carry a movie alone, and everyone else—Depp included—seems to be nearly tapped out. There's one great scene in which the sailors meet some unexpectedly dangerous mermaids, but it only  highlights what's missing most of the time.

Meanwhile, even those inclined to be generous may suspect they're being duped when they put on their plastic glasses. Making a frustratingly dark movie even muddier, the 3D andImaxoptions enhance nothing but the price of a ticket.

There was a time when Captain Jack was as wonderfully unpredictable as Depp's other iconic characters. But despite Sparrow's ongoing flashes of charm, Depp himself seems to know he's coasting. No matter how much treasure this excursion turns up, he's clearly more inspired by uncharted territory.

Don't Miss: Keep your eyes open for a surprising cameo at the start--you'll never guess who Sparrow seduces during his first escape.


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четверг, 19 мая 2011 г.

'Priest'review: Church-vs-vampire adventure is worth sinking your teeth into

A specially-trained priest battles vampires in a postapocalyptic landscape. WithPaul Bettany,Cam Gigandet,Karl Urban. Director:Scott Charles Stewart. (1:27) PG-13: Violence. At area theaters.

It appears that turning theJohn Ford/John Wayneclassic"The Searchers"into the church-vs-vampire adventure"Priest"was not an altogether god-awful idea. As long as we don't get"The Man Who Shot Liberty Valance"as an elegiac zombie drama, this adaptation of a graphic novel has some bite.

Mixing about four different genres into its first few minutes,"Priest"settles down into a postapocalyptic world rebuilding after a war with vampires, during which the most effective soldiers on the side of mankind were specially-chosen and trained priests. In the crowded, industrial-grade cities, the church controls all aspects of life, though it's a real absentee landlord, and its lead monsignor (Christopher Plummer) is a corrupt autocrat.

Outside the cities, there's a familiar movie-movie wasteland– it's the landscape Mad Max roamed, or whereCharlton Hestonfought intelligent Apes, or whereDenzel Washingtonbattled evil in"The Book of Eli"– and a young homesteader girl (Lily Collins) has been kidnapped by a roving band of vampires and their half-vamp servants, led by a fiend (Karl Urban, Dr. McCoy in the rebooted"Star Trek") with a black hat and aClint Eastwoodrasp.

The girl is the niece of a priest (Paul Bettany) who, like his fellow vamp-hunters of the cloth, has been relegated to outcast status. When he goes in search of her, he finds the girl's lawman-boyfriend (Can Gigandet), and the two go off to save her, aided by a priestess (Maggie Q) and a smock full of tiny killer crucifixes.

Director Scott Charles Stewart, who directed the similar Bettany-starrer"Legion,"doesn't hide the"Searchers"homages, so much so that they stop being a stake in cinephile's hearts and begin to become fun. A former visual effects guy, Stewart also makes sure his vampires have a distinctive look; they're like angry, speechless, fanged slugworms with slimy bear bodies. Their minions resembleUncle Fester, and, like the vamps, they have a shimmery sheen to their white skin.

Bettany does the monosyllabic stranger bit well, and Gigandet apparently studiedJeffrey Hunter's male ingénue in"The Searchers"so well that when he learns a secret about the girl and the priest, he barely registers emotion. No matter; if you come to"Priest"for emotion, or for a serious dissection of God-versus-the Church ideas, you've arrived at the wrong movie. If, however, you're looking for a diverting sci-fi actioner that handily mixes the DNA of several different movies, with a few flying crosses thrown in and a heavy dose of Western mythology, sink your teeth in.

Don't Miss:  An all-round rousing fight atop a moving train transport. In a movie full of Western film clichés, this is one it manages to make extra-exciting.


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среда, 18 мая 2011 г.

Jennifer Aniston sexes up the'Horrible Bosses'trailer: Actress wears lingerie, eats banana

Jennifer Anistonmay be a"Horrible Boss"in her new movie, but she looks good doing it.

The brown-wigged actress strips down to lingerie and seductively eats a popsicle, banana and hot dog in newly released trailer for"Horrible Bosses."

The comedy starsJason Bateman,Jason SudeikisandCharlie Dayas three friends who want to knock off their cruel employers.

The horrible bosses? A sexual-harrassing dentist (Aniston), a scummy white-collar boss (Kevin Spacey) and a drug-addicted heartless jerk (Colin Farrellin a balding wig!).

In one scene shown in the trailer, Aniston purposely sprays her assistant's (played by Day) pants in the crotch area so she can see if he's circumsized. Later, she drugs him and takes sexy photos with him, which she then shows to his fiancee.

And that's just the dirty antics that can be shown in the trailer.

"There's a whole bunch of things {Aniston} does that couldn't be put in this trailer. Stuff you won’t believe,"directorSeth GordontellsEntertainment Weekly."It's really exciting to see her do something a bit further… afield, if you will."

Bateman's boss (Spacey) convinces him to take a drink of scotch at 8am -- and then later accuses him of having an alcohol problem in front of the entire office.

Farrell makes his employee (Sudeikis) fire all the"fat people"in the office, as well as a wheelchair-bound man.

"Horrible Bosses"hits theaters July 8.


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вторник, 17 мая 2011 г.

New York has more than a petit presence at this year's Cannes Film Festival

New Yorkhas more than a petit presence at this year'sCannes Film Festival. On Wednesday, son ofBrooklynWoody Allenpremiered his latest romantic comedy,"Midnight in Paris,"starringOwen WilsonandRachel McAdams, while the jury for the 64th annual South ofFrancecompetition is headed byLittle Italy-bredRobert De Niro.

Despite critical and audience raves for his movie, Allen, 75, was his usual nebbishy self, even after 43 feature films.

"I consider myself a hugely lucky filmmaker,"Allen said at the film's opening press conference."I've never considered myself an artist. I've aspired to be one, but I've never felt that I have the depth or substance or the gift to be an artist."

As for his Cannes appearance, Allen said"Midnight in Paris"— the latest of his films to be set abroad — is as much about his love of movies as it is about the City of Light.

"I learned aboutParisthe way all Americans do— from the movies,"he said, then compared it to his hometown."It's the same {as the}New York CityI've shown people around the world, in movies like‘Manhattan.' I don't see {that kind of New York} around me. It's one I recognize from the movies. Same with Paris."

At the opening-night party, jazz renditions of"Empire Stateof Mind"and"New York, New York"were played for guests including New Yorker/Cannes jury memberUma Thurman.

Other films screening during the 10-day-long fest includeTerrence Malick's drama"The Tree of Life,"starringBrad PittandSean Penn; the school-shooting drama"We Need to Talk About Kevin,"withTilda Swinton; the comedy"We Have a Pope,"which sounds a little like"The Sopranos"set inVatican City; and new films from the Dardenne brothers,Pedro Almodovar,Lars von Trier,Gus Van Sant,Takashi MiikeandNanni Moretti.

Mainstream flicks are represented by"Pirates of the Caribbean: On Stranger Tides,"the fourth trip forJohnny Depp'sCapt. Jack Sparrow(opening in theaters next Friday), and"Kung Fu Panda 2,"withJack Blackagain voicing Po, which screened for press."KFP2"opens May 26.

The fest wraps on May 22. For continuing Cannes coverage, go to NYDailyNews.com.


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понедельник, 16 мая 2011 г.

Short Takes:'True Legend,''The Big Bang,''Skateland'

"TRUE LEGEND"-- 3 STARS
Martial arts saga about feuding stepbrothers. At the Regal E-Walk (1:55). R: violence.

The breathtakingly intricate action sequences begin immediately and rarely falter in the latest epic fromHong KongiconYuen Woo-ping.

The plot, on the other hand, is utterly simple. In 19th centuryChina, stepbrothers Su (Vincent Zhao) and Yuan (Andy On), are locked in a battle of revenge: Su's father killed Yuan's. Su just wants a united family, but Yuen won't be satisfied until he and his loved ones are destroyed. Fortunately for us, this requires battle after battle, each designed to top the last. (Though a cameoingMichelle Yeohgets little to do.)

The multi-talented Yuen has been keeping busy as a revered martial arts choreographer (he's best known here for his work on"Kill Bill"and"TheMatrix"). So fans who've been waiting 15 years for the director of"Drunken Master"to helm a new movie definitely won't be disappointed.  



"THE BIG BANG"-- 1 STAR

Noir thriller about a framed detective. At the Village East (1:41). R: nudity, sex, language, violence.

IsAntonio Banderas's career really such a big bust? On the one hand, it's a shame to see a talented guy slumming in this budget-bin thriller. On the other, it'd be entirely unwatchable without him.

When the movie begins, his private eye—aPhilip Marlowestand-in named Ned—is being interrogated by three furious cops (William Fichtner,Delroy Lindo,Thomas Kretschmann). As Ned recounts his story, it seems he's been on the trail of a missing stripper, and most of his leads (including a pornographer played bySnoop Dogg) are now dead. He knows he's no murderer, but all signs point to his guilt. So he's got to figure out what really happened, before it's too late. The bigger mystery, of course, is how Banderas—and the rest of his castmates—wound up here in the first place.  




"SKATELAND"-- 2STARS
Teens spend their last summer together. At the Village East (1:38). PG-13: violence, sexuality, language.

Though noticeably lacking in originality,Anthony Burns' low-key directorial debut skates by on the charms of its hazy wistfulness and a likable cast.

Shiloh Fernandezis Ritchie, a confused high school grad working in aTexasroller rink around 1983. His girlfriend (Ashley Greene) thinks he should go to college, while his best friend (Heath Freeman) wants him to stay in their small town, at least until the beer runs out.

Burns doesn't quite have a handle on his period setting, despite the proudly-chosen soundtrack and ostentatious details (Polaroids,Jordachejeans). And a third-act tragedy should have been cut, along with the unearned dedication toJohn Hughes. But if you ever complained about your parents while listening to New Order, it'll inspire some nostalgia nonetheless.


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воскресенье, 15 мая 2011 г.

Short Takes:'The First Grader,''Hey Boo,''Forks Over Knives'

"TheFirst Grader"— 3 STARS
Drama about an octogenarian former revolutionary's struggles to read. (1:43) PG. At the Beekman and Angelika.

More tough-minded than soft-hearted, thisAfrica-set drama about past sins and late redemption has unexpected depth. Kimani (Oliver Litando) is an 84-year-old former rebel whose violent actions with the Mau Mau a half-century ago helped moveKenyaaway from British rule. Nearing the end of his life, he asks an elementary school teacher (Naomie Harris) to help him to read. As Kimani sits in her class of 5-year-olds, flashbacks give us glimpses of what brought him to this place and what still haunts him.Director Justin Chadwick("The Other Boleyn Girl") shows admirable restraint bringing this true story to the screen, and Litando does much with glimmers of emotion and wells of dignity. 



"Hey Boo"— 4 STARS

Documentary about authorHarper Lee. (1:22) Not rated. At the Quad.

The masterwork novel, the decision to not follow it up, no interviews of any type in over four decades— Harper Lee's life is now merged with that of"To Kill a Mockingbird,"herPulitzer Prize-winning, ever-so-perfect 1960 evocation that needs no introduction. 

There are plenty of clips from theOscar-winning1962 film adaptation, snippets of radio interviews Lee gave and an examination of her friendship withTruman Capote. Murphy also reveals one more gem when she interviews theNew Yorkcouple who gave their friend Nell Harper Lee a financial gift in the '50s that allowed her to quit her job and finish the book, an act of generosity that is also one more kindness surrounding this most humane of artworks. The testimonials fromOprah,Tom Brokaw, esteemed novelists and luminaries are welcome, but for the still-relevant impact of the story, look in the eyes of the high school kids directorMary McDonagh Murphyspeaks with as they discuss Scout,Boo Radley,Tom RobinsonandAtticus Finch. They just came out of walking in their shoes, and no other testament is needed.

"Forks Over Knives"--3 STARS
Documentary about a radical way to reduce disease and cut health-care costs. (1:30) PG. At the Landmark and Sunshine Cinema.

The radical notion at the heart of the acclaimed doc"Forks Over Knives"is that eating animals and animal-produced foods has costs -- on our economy, our health-care system and on ourselves. In the midst of interviewing health experts, physicians, practioners of plant-based diets and other enlightened sorts, directorLee Fulkersontakes that most basic of steps: He gets a full checkup. Though he'd long considered himself in fine health, if not exactly in great shape, what he learns startles him into following a diet quite different from the one the government and theFDAhas long said is good for us: Specifically, no milk, no eggs and sources of protein from places other than red meat. Within 60 days, Fulkerson's overall health is... well, you can guess. A doc likes this serves two purposes. One is to preach to the converted, the other is to wake viewers up so they'll at least examine alternatives to the standardized -- and, it appears, destructive -- way in which Americans view what they eat. Let this review simply end by saying: Hey, isn't summer a good time for a salad?


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суббота, 14 мая 2011 г.

'Bridesmaids': Kristen Wiig, Maya Rudolph capture female friendship with honesty -- and laughs

The maid of honor is the unsung hero at every wedding: she has to make sure everything runs smoothly, remain perpetually enthusiastic, and look good no matter what taffeta atrocity she’s been asked to wear. Plus, she can't ever upstage the bride.

Such is the burden facing screenwriter and starKristen WiiginPaul Feig's long-awaited comedy"Bridesmaids."If it flops, it'll be her fault. If it succeeds, producerJudd Apatow-- finally breaking free from bromances -- will get much of the credit.

Good thing he tossed the bouquet to the right woman.

Wiig and her co-writer,Annie Mumolo, were clearly determined to make a movie that actually reflected reality, albeit in the most exaggerated manner imaginable, and with as much alcohol as possible.

So Wiig's Annie isn't just down on her luck but a perpetual underachiever, whose world is rocked when her best friend (Maya Rudolph) gets engaged. With no idea what lies ahead, she loyally agrees to be maid of honor.

Things head south immediately, as the other bridesmaids (including standoutMelissa McCarthy) notice Annie's slacker attitude. The snooty Helen (Rose Byrne, perfect) is especially appalled, and begins approaching pre-wedding planning as a competitive sport. Meanwhile, Annie's so distracted by a selfish playboy (Jon Hamm), she keeps overlooking an obvious soul mate (Chris O'Dowd).

If this sounds like a typical date movie, worry not. It's very much an Apatow production—though the crasser additions, like his already-notorious food poisoning scene, feel painfully forced. Like most of his movies, this one's also too long, and ends with a rushed, regrettably dismissive finale that literally pushes Annie into the back seat of her own story.

But just as Apatow redefined leading men in a more realistic manner, Wiig may well change the way Hollywood looks at ladies.

She and the equally wonderful Rudolph provide an ideal antidote to the plastic characters in formulaic rom-coms like last week's"Something Borrowed."Equally important, they capture female friendship with an honesty and generosity that's nearly nonexistent onscreen.

Usually, character actresses -- which is to say, those who don't look likeKate Hudson-- are always the bridesmaids, and never the brides. After walking down this aisle, Wiig should be flooded with requests for a return engagement. 

DON'T MISS:The hilarious dueling bridesmaid speeches between Wiig and Byrne's characters. Who needs firepower when these women wield a glass of champagne with so much ferocity?


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среда, 11 мая 2011 г.

'The Beaver'review: Mel Gibson delivers in this oddly-engrossing, off-kilter drama

WithMel Gibson,Jodie Foster. A depressed man will talk only through a beaver puppet. Director: Jodie Foster. (1:35) PG-13: Language. At area theaters

The split personality that comes with celebrity can be tricky: Mel Gibson's behavior over the last few years makes it almost impossible now to watch him without thinking of the tabloid catastrophe he's become.

If anyone needed to let anything, even a puppet, do the talking for him, it's Gibson. Luckily, that's what happens in"The Beaver,"Jodie Foster's oddly engrossing, off-kilter drama.

Gibson plays Walter, the CEO of a toy company who slips into a midlife depression that incapacitates him.

His wife Meredith (Foster) kicks him out for the good of their two boys, teenage Porter (Anton Yelchin) and grade schooler Henry (Riley Thomas Stewart).

Alone and suicidal, Walter is saved when he spots a mangy beaver puppet in the trash. Drawn to the toy, Walter begins a weird form of self-therapy: He can engage with his family and the world when he speaks— in an Australian accent — through the puppet he calls The Beaver.

Suddenly, he's fun and successful, as long as you forget he's talking through a puppet.

Walter's youngest kid loves it, though everyone else tolerates The Beaver, thinking it’s temporary. But without him, the sad Walter returns.

Foster, whose previous directorial efforts ("Little Man Tate,""Home for the Holidays") are underappreciated little dissections about family outcasts, makes"The Beaver"into a similar meditation on sons fighting inner urges to follow in a father's flawed footsteps.

As his dad keeps life at arm's length, Porter pursues a pretty classmate (Jennifer Lawrence) until he’s hindered by dishonesty and distance, traits he inherited from Walter.

Distance is what's required here to care about Gibson. ThoughKyle Killen's script becomes trite and predictable, Gibson delivers in an uncompromising way. HadRobin WilliamsorTom Hankstaken the role, the cutesiness would be unbearable. Oddly, Gibson's public implosion helps"The Beaver,"like the beaver helps him.


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вторник, 10 мая 2011 г.

Malin Akerman joins cast of'Rock of Ages': Actress will have sex scene with Tom Cruise

This movie is going to, well, rock.

"Rock of Ages,"based on the mega-hit Broadway musical, has finalized its lineup -- and it's packed with big names.

According toDeadline, comedic actressMalin Akermanhas signed on to play Constance, an enterprising journalist bent on exposingStacee Jaxx's rock star lifestyle.

One perk of the role? A sex scene withTom Cruise, who will play Jaxx.

In the musical, the two share a steamy romp in a bar bathroom and then duet on Foreigner's"I Want To Know What Love Is."

In addition to Cruise, the big-screen adaptation already boasts a slew of Hollywood heavy-hitters like"Breaking Bad's"Bryan Cranston, who will portray the city's prudish mayor andCatherine Zeta-Jonesas the mayor's wife.

Alec Baldwin,Mary J. Blige,Russell Brand,Paul Giamatti, and"Dancing with the Stars"proJulianne Houghround out the cast.

Finding the right Constance proved easier said than done.Director Adam Shankman, who scored a box office hit with 2007's"Hairspray,"first approachedAnne Hathawayfor the part, but lost her to the Catwoman role in"The Dark Knight Rises."AndAmy Adamswas a no-go after she signed on to playLois Lanein the newSupermanflick,"Man of Steel."

"Rock of Ages"is scheduled to hit theaters summer 2012.


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понедельник, 9 мая 2011 г.

'Jumping the Broom'review: Loretta Devine, Angela Bassett sweep up the attention

Two families spar at a wedding. WithPaula Patton,Angela Bassett. Director:Salim Akil(1:47). PG-13: language, sexuality. At area theaters.

It's always trouble when two weddings land on the same day. So we’ll make it easy: if you're wavering between"Something Borrowed"and"Jumping the Broom,"RSVP for the latter.

"Broom"doesn't take any risks or offer many surprises. But then, do most weddings? We attend not for the salmon and champagne, but to celebrate the people at the center. And director Salim Akil has found actors skillful enough to enhanceElizabeth HunterandArlene Gibbs' conventional screenplay.

The weakest links, actually, are our bride and groom, played blandly by Paula Patton andLaz Alonso. Fortunately, this wedding is really all about the mothers-in-law.

Outspoken Pam (Loretta Devine, always strong) is proud of her working-class roots. In contrast, Claudine (Angela Bassett) is ultra-refined. When the two meet at Claudine's seaside mansion for the wedding, tensions mount.

No one tries to break the mold here; the cultural jokes, Mars/Venus conflicts, and last-minute revelations come just as we expect. Still, most of the actors dig deeper than such a traditional date night film demands. An impossibly elegant Bassett makes the movie hers, but the solid supporting cast, includingMeagan Good,Mike Epps, andTasha Smith, keeps the energy high.

UnlikeTyler Perry, who takes a broader approach to similar faith-based material, Akil has an innate instinct for film structure. He also knows how to deliver on a promise: the setting is lovely (withNova Scotiastanding in forMartha's Vineyard), the company amusing, and the nuptials elaborate enough to please all but the pickiest guests.


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воскресенье, 8 мая 2011 г.

'Something Borrowed'review: Kate Hudson, Ginnifer Goodwin's silly rom-com is simply empty-headed

WithGinnifer Goodwin,Kate Hudson. A bridesmaid falls for the groom. Director:Luke Greenfield(1:42). PG-13: Sexuality. At area theaters.

Given that it lacks any connection to reality, Luke Greenfield's"Something Borrowed"could technically be considered escapist entertainment. But even if you’ve got a soft spot for silly rom-coms, know that this one is as empty-headed as it gets.

The trouble begins immediately, when we're asked to accept Ginnifer Goodwin andJohn Krasinskias Rachel and Ethan, unattractive losers who’ve always wilted in the presence of their beautiful friend Darcy (Kate Hudson). Obscenely narcissistic, Darcy is now about to marry Rachel's crush, Dex (Colin Egglesfield).

Rather inconveniently, Rachel and Dex fall in love during the engagement, leading to a complicated pre-wedding affair. Meanwhile, Darcy is busy hiding secrets of her own.

In adaptingEmily Giffin's novel, Greenfield and writerJennie Snydercould have emphasized the human emotions that might inspire a tale of tangled hearts. Instead they take their title literally, relying on countless clichés—except, oddly, the most important: there’s barely a wedding detail to be found. 

As for the actors, they're as disposable as the script. Hudson has now surpassedJennifer Anistonfor poor taste in projects, while Goodwin succeeds only at turning herself into a generic starlet. And she and the dull Egglesfield have none of the urgent chemistry required to explain their actions.

Surely even a film that boasts of its laziness right up front should respect us enough to offset so much old with something new.


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суббота, 7 мая 2011 г.

Sophia Loren honored by Hollywood: 50 years since she won Academy Award for'Two Women'

(Reuters) - John Travolta called her the"most delicious"thing to come out of Italy, Roberto Benigni serenaded her with the Neapolitan song"O Sole Mio"and Billy Crystal said she was his"first great love."

Hollywood came out on Wednesday to honor Sophia Loren, 50 years after she become the first person to win an acting Oscar for a foreign-language role with the Italian movie"Two Women."

Loren, now 76 and with her famous hour-glass figure intact, did not attend that 1961 Academy Award ceremony. She told an audience of some 800 actors, directors, friends and family on Wednesday she never dreamed an Italian in an Italian-language film would earn the movie industry's highest honor.

"The Academy Award changed my life completely,"she said at the tribute organized by the Academy of Motion Picture Arts and Sciences."It helped me to believe in myself and encouraged me to push my own artistic boundaries."

"There are no words to describe my emotions right now. It is hard to imagine that 50 years have passed since I welcomed my Oscar to my home,"she added.

Regarded as the most famous living Italian actress with more than 80 movies, Loren received a lifetime achievement Oscar in 1991 and was declared"one of world cinema's greatest treasures."

On Wednesday, she was feted with tributes and clips of the most famous roles from her 1950s to 1970s heyday, including"Marriage Italian Style,""A Special Day,""Yesterday, Today and Tomorrow"and Hollywood films"El Cid"and"Man of La Mancha."

With most of her co-stars and directors long dead -- Marcello Mastroianni, Gregory Peck, Frank Sinatra, Charlton Heston, Cary Grant, Marlon Brando and her producer husband Carlo Ponti -- the speeches were left to a younger generation.

Rob Marshall, who directed Loren in her most recent feature film"Nine"in 2009, said working with her was"the most magic I will ever have."

Tom Hanks called her"timeless, beautiful and authentically real."Christian De Sica described the frequent pairing of Loren with his father, Italian director Vittorio De Sica, as"like a cappuccino -- no-one could tell the milk from the coffee."

Exuberant Italian actor and director Benigni, himself an Oscar winner for the 1997 movie"Life is Beautiful,"sang to Loren in a video message and her son Edoardo Ponti fought back tears as he told her:"We are here because we love you and you deserve every single thing."

Asked by host and U.S. comedian Crystal whether she was happy with her career, Loren dabbed tears from her eyes.

"You are never content,"she replied."You always want to do more and find the right thing at the right time. I like my career, my life, so much. I was born for this. I am sick when I don't work for a year or two."


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пятница, 6 мая 2011 г.

Will Ferrell on'Anchorman'sequel hold-up: Paramount'are being idiots'

Looks like"Anchorman"fans won't get new catchphrases any time soon.

A sequel to the mega-hit 2004 comedy -- starringWill Ferrell,Steve Carrel,Paul RuddandChristina Applegateas '70s news anchors inSan Diego-- has been axed, reveals its star,Ron Burgundy.

"You'd have to really assert some kind of email hate campaign toParamountpictures,"says Ferrell,"because they've told us, quote unquote, 'We've run the numbers and it's not a good fit.'"

To get people -- or at least, Paramount -- interested in the idea, the comedian is hatching a plan.

"We were going to do almost a reverse -- almost like how theMarx brothersused to do --  we were going to do a Broadway musical and then have a film come out after the stage show,"he says."Everyone we tell the idea loves it, except for the studio that owns the rights. Ball's in their courts, but they're being idiots."

It's not like"Anchorman"didn't make money for Paramount.

The film grossed $90 million worldwide -- and it cost them $26 million to make.

Last month,"Anchorman"producerAdam McKaytweeted,"So bummed. Parmaount basically passed onAnchorman 2. Even after we cut our budget down. We tried."

For a Ferrell fix, fans can catch him on“The Office” as Michael Scott’s replacement,Deangelo Vickers.


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четверг, 5 мая 2011 г.

'Kill Bin Laden'may have to change focus: Kathryn Bigelow's assassination flick has been in works

Maybe it could turn into a biopic?

Academy Award-winning directorKathryn Bigelowhas been working hard on anOsama Bin Ladenassassination movie -- but she wasn't quick enough.

The Al Quaeda leader was killed byU.S.troops on Sunday,President Barack Obamaconfirmed.

"Kill Bin Laden"was set to be an action thriller flick, based on a failed Black Ops mission by the military to capture Bin Laden, who had been in hiding since the Sept. 11, 2001, terrorist attacks on America.

Bigelow, who won an Oscar for 2009's"The Hurt Locker,"and her collaboratorMark Boalhad already met with a number of actors to star in the film, including"Inglorious Basterds"starMichael Fassbender; however, he had recently backed out, and instead, Aussie actorJoel Edgertonwas in the running to be the film's star.

But now that Bin Laden has, in fact, been killed,The Hollywood Reporterprojects that Bigelow could take the film in one of two ways: it could stay the same given the excitement of Sunday's monumental event or it could change completely with a new storyline and focus.

Guess we’ll find out soon enough.

 

MORE: OSAMA BIN LADEN KILLED

 


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среда, 4 мая 2011 г.

'The Bang Bang Club'star Taylor Kitsch turned dire early days in New York into TV and movie success

What a difference a few years can make.

Less than a decade ago,Taylor Kitschwas a struggling acting student fresh off the plane fromVancouver, living in a shoebox apartment inSpanish Harlemfor more than a month without electricity. A borrowed blowup mattress was his only furniture and a handful of candles his only source of light.

One night a loud pounding on the door woke him up in a cold sweat.

"It was the police,"says the"Friday Night Lights"star."One of the neighbors thought my apartment was on fire because I fell asleep with the candles on. It was a trip."

Last week, the 30-year-old actor arrived back inNew Yorkfor the red-carpet premiere at theTribeca Film Festivalfor his latest film,"The Bang Bang Club."

The film traces the real-life band of fourSouth Africanphotographers who covered the violence that tore their country apart in the early 1990s.

To playKevin Carter, a photographer who notched aPulitzer Prizebefore imploding in a haze of drugs and depression,
Kitsch dropped 37 pounds in just two months.

Director Steven Silverfilmed his re-creation of the violence that raged in the waning days of apartheid in the actual neighborhoods— reopening some old wounds in the process.

A scene where the photographers pass through a field strewn with bodies was shot on the same field inSowetowhere a real-life massacre took place in 1990, says Kitsch.

"One lady thought it was actually happening again. She came out and she was just incredibly upset,"he says."It was tough for everyone. But I think it would have been an injustice to do it anywhere else."

Kitsch has come a long way since he left New York for Hollywood. He ended up inAustin, Tex., where he became the star player— on and off the screen — on"Friday Night Lights"as a high school fullback who struggles with life off the field.

And after his tour of duty in South Africa for"The Bang Bang Club,"Kitsch travels outside Earth's orbit as the title hero in next year's"John Carterof Mars,"the start of a potential franchise based on theEdgar Rice Burroughsnovels.

Last week at least, he was back on terra firma in New York, enjoying a reunion with his old acting coach,Sheila Gray, who gave him free lessons— the only kind he could afford back when he often spent nights sleeping on subway trains.

"It feels very full circle,"says Kitsch of his Big Apple return."I mean, this is really where it all started."


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вторник, 3 мая 2011 г.

'Hangover 2'producers sued: Artist who gave Mike Tyson tattoo is upset character has same tattoo

This is going to hurt more than a tattoo -- or a hangover.

The artist who permanently inkedMike Tyson's face with a tribal tattoo around his eye is suing the producers of"Hangover 2"because starEd Helmsalso sports the tat in the film.

S. Victor Whitmill, who tattooed the boxer in 2003, claims he not only created the design, but he also copyrighted it.

The artist has filed a lawsuit in federal court inSt. Louison Tuesday, claimingWarner Brothersviolated his copyright.

Whitmill is asking for an unspecified amount of money -- and for the tattoo to be removed from the film.

That will probably be hard considering Helms' character getting the tattoo (after a crazy night of partying before his wedding) is a major plot point.

Even Tyson himself makes a cameo in the comedy, which hits theatres May 26 and also starsBradley Cooper,Zach GalifianakisandJustin Bartha.


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понедельник, 2 мая 2011 г.

Tribeca Film Festival 2011 Announces Awards: Carice van Houten, Shami Bizimana take top honors

TheTribeca Film Festivalannounced its 2011 award winners Thursday evening in a ceremony at theW Union Square Hotel. Festival foundersRobert De NiroandJane Rosenthalpersonally honored the Best Feature Film,"She Monkeys,"about rivals on a girls’ equestrian team inSweden."Turn Me On, Goddammit,"about a young Norwegian woman's sexual coming of age, won the Best Screenplay award, and Park Jungbum was named Best New Director for his drama,"The Journals of Musan,"in which a North Korean defector begins a new life inSouth Korea.

The acting prizes went toShami Bizimanafor his turn as a persistentRwandanfilmmaker in"Grey Matter,"andCarice van Houten, who plays true-life poetIngrid Jonkerin"Black Butterflies."Jurors for the narrative features includedDianne Wiest,Atom Egoyan,Zoe Kazan, andRainn Wilson.

The Best Documentary award was given to Alma Har'el's experimental vision of theSalton Sea,"Bombay Beach,"while the Best New Documentary Director wasPablo Croce, who made"Like Water,"a portrait of Ultimate Fighting championAnderson Silva."Semper Fi,"the non-fiction chronicle of a Marine's toughest battle, earned a Best Editing award.Whoopi Goldberg,Michael Cera, andLauren Huttonwere among the jurors voting in the documentary categories.

Short film winners included theUKcrime thriller"Man and Boy"and"Incident in NewBaghdad,"which explores an American soldier’s experience inIraq.

The Tribeca (Online) Film Festival winners were"Donor Unknown,"a documentary about the many children born from a single sperm donor, and the fantasy gaming satire“The Dungeon Master.” Votes for the Tribeca (Online) awards were open to those who visited the festival’s website.

The Audience Award, which is also open to viewers, will be announced on Saturday night, and all the winners will be screened at the Tribeca Film Festival on Sunday. For schedules and tickets, visitwww.tribecafilm.com.


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воскресенье, 1 мая 2011 г.

Nordic track: Chris Hemsworth traveled a rough road to win the role of'Thor'

To get the most coveted role in all of Midgard— Earth to non-Vikings —Chris Hemsworthhad to endure more than just an audition.

He overcame a gauntlet.

"Thor"directorKenneth Branaghdesigned trials befitting a God of Thunder: Hemsworth first would have to tell a braggart's tale of past victories. Then he would have to convincingly slam down Mjolnir, or at least a prop version of the hammer whose blows were once believed to unleash lightning.

Finally, he must fight his way through a brace of stunt men.

"We {created} an enormous lightning blast for him, so we could see how he reacted to what it's like when you have the most powerful weapon in the world in your hand,"says Branagh.

"He had to kick and throw people, he had to wear that cape and feel completely at ease with it, and he needed to tell stories because Thor is a storyteller as well."

Two years later, the 27-year-old Australian still can't believe that he earned the right to play the legendaryMarvel Comicssuperhero. The movie arrives Friday.

"It was the first audition I picked up where it said, 'Must be over 6-feet-1,'"says Hemsworth, who had 2 inches to spare."It was the most vivid sort of audition I've ever had. Normally you just come in and you sit down and read a couple of scenes."

But there's nothing normal about Thor, a superhero who isn't nearly as recognizable asSpider-Manor Superman. Though Vikings worshipped the Thunder God for hundreds of years, Thor had been an afterthought for centuries
— untilStan LeeandJack Kirbybrainstormed up a comic book version.

The stakes are high for Thor to vanquish his foes at the box office— including the formidable, just-released"Fast Five,"the latest inVin Diesel's car franchise. And the pressure goes beyond just one movie: Hemsworth will joinRobert Downey Jr.(Iron Man),Chris Evans(Captain America) andMark Ruffalo(The Hulk) in next year's franchise-within-a-franchise
starter,"The Avengers."

"There is a lot of pressure,"saysPaul Dergarabedian, box-office analyst forHollywood.com."And also remember, a year ago 'Iron Man 2' opened to $128 million on the same weekend.

"Each Avengers character has to have a draw in order to make the Avengers movie the huge blockbuster it seems to be destined to be. Each of these characters is an important cog in the wheel."

So Marvel Studios handpicked Branagh, anOscar-nominatedactor-writer-director, to lend some Shakespearean heft to the story of a brash prince longing to prove his mettle as a future king to his father, Odin (Anthony Hopkins).

"As much as he's a god, he can travel through space and he has these superpowers and this super-strength— but I think what's very arresting in the story, to be paradoxical and contrary about it, is the human element,"says Branagh.

And the story does have its nods to the Bard with its themes of sibling rivalry and father and son acceptance. Eager to prove his right to rule Asgard— a golden city on another planet linked by a hole in space to Earth, where his people were once mistakenly worshipped as gods by the Vikings — Thor breaks the kingdom's uneasy peace with the Frost Giants.

Banished to Earth for plunging his people into war, he must find some humility in the hardscrabble desert ofNew Mexico, with a doe-eyed astrophysicist (Natalie Portman) as his guide.

Only then can he earn his birthright and smite the enemies taking advantage of his absence at Asgard, where his mischievous brother Loki (Tom Hiddleston) covets the throne.

"There's an exterior strength and toughness to him, but underneath there's at times a lot of confusion and vulnerability
and that was great to explore,"says Hemsworth.

Don't tell Branagh that this tale is just another entry in a summer clogged with big-budget superhero movies. (The X-Men,Green Lanternand Captain America all are ready for their closeup in the next few months.) The 50-year-old has been waiting for this chance since he was a little boy buying Thor comic books at his local sweet-shop inBelfast.

"It just seemed to me that that Thor— that the comic itself — was carved out of granite,"he says.

"Frankly, no one in the process {of making a movie like this} ever loses that kid-in-the-candy-shop feeling."


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суббота, 30 апреля 2011 г.

'Fast Five'review: Vin Diesel, Paul Walker take'Furious'franchise fans on a high-octane ride

Action sequel about a high-stakes heist. With Vin Diesel, Dwayne Johnson. Director: Justin Lin (2:10). PG-13: language, violence. At area theaters.

Now this is how you make a summer movie.

So what if it's only April?"Fast Five"is determined to kick off popcorn season in high-octane style. And while you may not leave enlightened, you'll definitely be entertained.

Having also helmed the last two"Fast and the Furious"sequels, director Justin Lin has become something of an autoeur, with a clear understanding of what makes these movies work: cool cars, tight chases, and characters we can root for.

The latter is key; without a moral center, the franchise would have fallen apart long before we got to number five. Holding it all together is Dom (Vin Diesel), a big-hearted con who honors family above all. So it's no surprise when his sister Mia (Jordana Brewster) and her BF—and Dom's BFF—Brian (Paul Walker) risk everything to break him out of prison.

This puts them all on the radar of unstoppable agent Hobbs (Dwayne"the Rock"Johnson), who soon learns Dom wants to rob Brazil's richest man (Joaquim de Almeida).

Coming along for this 180mph ride are several cohorts from other films, including Roman (Tyrese Gibson) and Tej (Chris"Ludacris"Bridges), who proved much-needed comic relief. As the team works furiously to plan the heist, Hobbes moves ever closer to his target.

Johnson has always been a good sport, so he gamely pretends the entirely-unthreatening Diesel is his match.

In reality, it's almost comical to see them face off, though there is enough testosterone here to burn a hole through the screen.

Fortunately, Lin and returning writer Chris Morgan know how to work a balancing act. They bring in a stronger female presence to add some human interest; alternate action with emotion; and follow every serious moment with a head-snapping surprise.

Sure, a lot of the dialogue is dopey, and the eternally stiff leads once again compete for blankest delivery. But Lin distracts us well, packing deftly-shot races, explosions, and getaways into every corner.

In fact, the biggest problem is that the movie is way too long: he and Morgan keep throwing out ending after ending, as if they can't bear to let us go.

In a way, though, that's a welcome instinct. Even if you pay extra for Imax (well worth it),"Fast Five"feels like a genuine attempt to give us a good time, rather than the typically-cynical grab for our wallets.

It's not often you leave a sequel this far into a series and think,"How quick can they make number six?"


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пятница, 29 апреля 2011 г.

Justin Bieber, Mark Wahlberg to be costars: Film will revolve around street basketball

This could be the greatest idea ever . . . or the worst.

Academy Award-nominated actorMark Wahlbergwill be co-starring with none other than teen singing sensationJustin Bieberin an upcoming film about street basketball, according toDeadline.

In fact, it was Wahlberg's idea.

The actor, who would also serve as producer, took notice of Bieber's hoops skills in February when the teen was partaking in theNBA All-StarWeekend celebrity game and then went toParamountto pitch a film idea starring the two.

Deadline is describing the vehicle as"The Color of Money"meets"The Karate Kid."

Although this would be the first film Bieber would act in, he has proven his box-office draw.

His tour documentary,"Never Say Never,"grossed $97 million worldwide; it only cost $13 million to make.

Bieber has already showed off his acting chops in numerous skits on"Saturday Night Live"and two episodes of"CSI."


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четверг, 28 апреля 2011 г.

Tribeca Film Festival 2011: Unpredictable spring weather doesn't deter fans from star-studded events

The spring weather was reliably unpredictable, but that wasn't enough to deter thousands of film fans who came out for the opening weekend of theTribeca Film Festival.

For many, the highlight wasBrian Williams' interview with an unusually talkativeRobert De Niro, who shared family stories, reminisced about past projects, and waxed philosophical over politics.

Meanwhile, high-wattage premieres for movies like"The Good Doctor,""Angels Crest"and"Jesus Henry Christ"drew stars and star-spotters alike.

Families gathered for outdoor screenings at the World Financial Plaza, and the very patient waited in the drizzle to grab the last seats at buzzed-about titles like"Catching Hell,"Alex Gibney's empathetic documentary aboutAmerica's unluckiest baseball fan.

Between now and next weekend, you'll find smaller crowds. Among the titles you might want to catch Monday is"The Swell Season,"which charts the offscreen relationship of"Once"stars and co-Oscar winnersGlen Hansardand Markéta Irglová.

TheJulia Roberts-produced"Jesus Henry Christ"is another film getting some attention for its comic take on an unconventional family. And those who've seen"Gnarr"have been charmed by its subject, an Icelandic comedian who becomes mayor ofReykjavik(imagineJon Stewartreplacing Bloomberg).

But should you really want to be part of a jostling crowd, you'll get that chance, too. Monday evening's big premiere is"Last Night,"an intimate, intelligent relationship drama starringKeira Knightley,"Avatar'sSam WorthingtonandEva Mendes. There will be a line for those who don't yet have tickets, but before you subject yourself to the madness, remember this: It'll be screening again, without all the chaos, Tuesday.

The Tribeca Film Festival runs through May 1. For schedules, tickets and directions, visit www.tribecafilm.com.


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среда, 27 апреля 2011 г.

'Madea's Big Happy Family'comes in #2 at box office: Tyler Perry comedy performs worst in franchise

HaveTyler Perryfans had enough of Madea?

The writer-director-actor extraordinare's 10th film in six years,"Madea's Big Happy Family,"performed the worst of the franchise -- which stars the sassy matriarch (Perry in drag) -- when Madea's name is in the title, according toThe Washington Post.

Although"Madea's Big Happy Family"pulled in $25.8 million at the box office, it still only came in second behind the animated adventure"Rio,"featuring the voices ofAnne HathawayandJesse Eisenberg, which debuted the week before also at number one.

That makes"Big Happy Family"-- which cost $25 million to make -- the weakest opening ever for a Perry flick.

By comparison,"Tyler Perry'sMadea's Family Reunion"opened with $30 million in 2006 and"Tyler Perry's Madea Goes To Jail"made $41 million in it opening weekend in 2009.


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вторник, 26 апреля 2011 г.

Summer already? A week-by-week movie guide of the season of sequels, superheroes and silly stuff

FAST FIVE (April 29)
Remember whenVin Dieselthought he was too cool for the fast and furious movies that made his name? Whether he's grown up or just faced reality, it looks like he's now in it for the long haul. The story never changes much (big plans, angry enemies, lots of car chases), but directorJustin Linalways inserts new scenery. For the fi fth entry, the boys head toBrazil, where a heist attracts the unwanted attention of fed-
eral agentDwayne (The Rock) Johnson.
Bottom line:Will this franchise ever run out of gas? Maybe not, if the producers are wise enough to keep upgrading with stars like Johnson. E.W.

THOR (May 6)
The fi rst superhero movie out of the gate tells ofMarvel Comics' Norse God of Thunder (Chris Hemsworth), banished to Earth by his angry dad Odin (Anthony Hopkins) and then forced to battle his evil half-brother Loki (Tom Hiddleston).Natalie Port-
man andIdris Elbaco-star.
Bottom line:The pop mythology comes courtesy of directorKenneth Branagh, who isn't that insane a choice when you combine his"Henry V"with his"Frankenstein."If that's some-
thing you really want to do, this may hit you like a hammer. J.N.

JUMPING THE BROOM (May 6)
There aren't nearly enough smart dramedies for adult urban audiences. Prospects look very promising for the big-screen debut fromSalim Akil("Girlfriends,""The Game").Paula PattonandLaz Alonsoare the bride and groom who just want to make it through the wedding, once their mothers-in-law (Angela BassettandLoretta Devine) start meddling.
Bottom line:When you get a proposal from a cast that also includesMike Epps,Tasha Smith,Meagan GoodandJulie Bowen, you defi nitely say,"I do."E.W.


Chris Hemsworth forges ahead in 'Thor.'

SOMETHING BORROWED May 6
ANew Yorkattorney (Kate Hudson) makes a drunken confession on her 30th birthday: She loves her best friend's fiancé (John Krasinski). Uh-oh, he loves her too, which makes her palGinnifer Goodwinunhappy.
Bottom line:Before"Sex and the City"afi cionados get excited about this chick fl ick, they should note that directorLuke Greenfield previously madeRob Schneider's"The Animal"and the teens-meet-a-porn star lark"The Girl Next Door."Apparently, Greenfi eld got a tour of rom-com duty to pay for his crimes. J.N.

THE BEAVER May 6
We try to avoid punch lines that write themselves, so we'll just share the facts and allow you to draw your own conclusions.Mel Gibsonstars as a deeply troubled man who has pushed everyone so far that his only means of communication is a ratty animal puppet he hopes will charm us— sorry, them — into forgiveness.
Bottom line:Director Jodie Foster, who co-stars as Gibson's wife, has been working on this project for years. But now it bears a much heavier burden than when they both began. E.W.

EVERYTHING MUST GO May 6
Will Ferrellgoes for wry drama again (as he did in the indie"Winter Passing") by playing an alcoholic regrouping after losing his wife and job. First order of business: hold a huge yard sale to make some booze money.
Bottom line:Ferrell does down-and-out well (remember him in"Wedding Crashers"? Ah, that one people saw!), but will he click in a film based on a short story byRaymond Carver? J.N.

THERE BE DRAGONS May 6
Director Roland Joffé ("The Killing Fields") directed this dramatic thriller about an investigative journalist (Dougray Scott) who visitsSpainfor a story and discovers his father (Wes Bentley) was a founder of the secretive organization known asOpus Dei.
Bottom line:"The Da Vinci Code: The Early Years,"kinda? J.N.

BRIDESMAIDS May 13
A"Hangover"for the ladies? A starring role forKristen Wiig? Yes, please. We're also thrilled that TV'sPaul Feig("Arrested Development,""The Offi ce") is planning this shindig, which looks like a suitably wild ride. Wiig is the eternally single lady who has no idea what she's getting into when newly engagedMaya Rudolphasks her to be maid of honor.
Bottom line:Apologies to Will and Kate, but this is surely the most fun to be had at a wedding this year. And you don't even have to squeeze yourself into taffeta. E.W.

PRIEST May 13

No, this isn't a 3-D remake of the controversial 1995 drama about a gay man of the cloth. It's a postapocalyptic actioner about a warrior padre fi ghting vam-
pires and kicking undead butt.
Bottom line:Paul Bettany— who played a similar role in"Legion"— is the title character. See, werewolves never have to worry about guys like this. J.N.

HESHER May 13

It wouldn't surprise us ifJoseph Gordon-Levittearned anOscar nominationsomeday. He has the ability to totally transform himself when needed. And it's a good sign that David Michôd, who made last year's impressive thriller"Animal Kingdom,"co-wrote this edgy tale of a boy who befriends Gordon-Levitt's drug-addicted sociopath.
Bottom line:Gordon-Levitt is about to erase any lingering images from"(500) Days of Summer."We're having a harder time buyingNatalie Portmanas a nerdy supermarket cashier. E.W.


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